David Edelstein

The biopic of landscape painter J. M. W. Turner depicts a man whose mind is barely engaged by anything other than his work. He's a mystery, and his art is magically indefinite — just like the movie.

The film, based on Thomas Pynchon's novel, is set in 1970 in a beach town south of Los Angeles. With wonderful actors, it's like a gorgeous stoner art object: groovy, campy, dreamlike and funny.

In the Australian chiller, a bogeyman announces himself in a rhyming, pop-up book on a 7-year-old's shelf. But the real horror is that the boy's mom, a grieving widow, is battling psychic demons.

Cumberbatch stars as British mathematician and World War II code breaker Alan Turing in a film directed by Morten Tyldum and co-staring Keira Knightley as Turing's comrade in arms.

The film is based on du Pont's fraught relationship with two Olympic wrestlers. Wealth isn't enough — his identity hinges on winning. It's a fascinating case study, but as drama, it's one sick joke.

Christopher Nolan's film stars Matthew McConaughey as an astronaut who takes his ship through a wormhole to another galaxy to find a home for earth's inhabitants. It's cool, awe-inspiring and goofy.

Blue Is the Warmest Color, a coming-of-age movie about the love affair between two young women, has been criticized as pornographic and exploitive. But critic David Edelstein says the film artfully captures the intensity of sexual discovery — and dependency. (Recommended)

Laura Poitras' new film isn't artfully shaped like her other documentaries. But she captures scenes as history is being made — and it will make you look both ways when you're on the street.

The choreography by Alejandro Iñárritu, who directed 21 Grams and Babel, will wow you. But the story about a washed-up actor about to bring off his Broadway debut is an "empty masterwork."

Director Damien Chazelle's second film centers on the agony of a drummer in a high-powered music school. The movie ties you into knots: The fear of failure is omnipresent. So is the jazz vibe.