David Edelstein

Harmony Korine's Spring Breakers, Sally Potter's Ginger & Rosa and Cristian Mungiu's Beyond the Hills are wildly different films, yet they share a common impulse: to demonstrate indelibly how for girls, behaving outrageously is still a political act.

There are three reasons to see this prequel to the classic 1939 film The Wizard of Oz: the trio of witches played by Mila Kunis, Rachel Weisz and Michelle Williams. But James Franco, who stars as the wizard-in-the-making, disappoints — and the film as a whole is a bit snoozy.

The film is ripe with a creepy-crawly feel that would be affecting if the tone weren't so arch. Directed by Park Chan-wook, written by Wentworth Miller and starring Nicole Kidman, Mia Wasikowska and Matthew Goode, Stoker is a vile little chamber horror, says critic David Edelstein.

In Paolo and Vittorio Taviani's new film, Caesar Must Die, a group of prisoners put on Shakespeare's Julius Caesar. It's barely an hour and a quarter, and it's physically small-scale, but it's so compressed it wears you out -- in a good way.

The Oscar-nominated documentary directed by Dror Moreh is not a defense of Israeli security policy, but a critique. The six Shin Bet heads Moreh interviews may believe in the tactics they devised, but it's the overall strategy they think is flawed.

In an age of werewolves, hormonal vampires and endless sequels, horror movies have lost some edge. But Mama, starring Jessica Chastain, is an entertaining step in the right — which is to say backward — direction.

Fresh Air's movie critic does not think any masterpieces were made this year, but he does compare Daniel Day Lewis to Julius Caesar and have some choice thoughts on the movie version of Les Mis.

Kathryn Bigelow's film tells the story of the U.S. hunt for the mastermind behind the Sept. 11 attacks. Critic David Edelstein says the film presents itself as a work of journalism, but that there's no doubting its perspective: It's the story of America's "brilliant, righteous revenge."

Ang Lee's meticulously controlled style makes a perfect fit for Life of Pi, a passionately overcontrolled adaptation of a wondrous adventure story with a surprisingly harsh sting in its tail.

David O. Russell's Silver Linings Playbook stars Bradley Cooper as a bipolar high school teacher trying to put his life back together. But critic David Edelstein says it's the performance of co-star Jennifer Lawrence that makes the film a hot ticket.