David Edelstein

The new releases Shutter Islandand The Ghost Writer both take places on islands off the coast of the Eastern seaboard. Critic David Edelstein explains how the two movies, made by Martin Scorsese and Roman Polanski respectively, are a study in contrasts — in directors, plot, and mood.

Luc Besson's latest action fantasy, From Paris With Love, stars John Travolta as an FBI agent and Jonathan Rhys Myers as a diplomat trying to stop a terrorist attack in Paris. The story moves at warp speed — and it doesn't skimp on thrills.

Here's Mel Gibson as a Boston police detective, shambling onto the screen in Edge of Darkness for the first time in nearly a decade — and it's hard for us (and probably harder for him) to shake off that decade's effects.

There's a basic tension in the true-ish docudrama Extraordinary Measures that lifts it above the formula disease-of-the-week picture. Brendan Fraser plays John Crowley, a Bristol-Myers Squibb executive with a daughter and son born with the rare Pompe disease, a cousin to muscular dystrophy that fatally weakens muscles — including the biggie, the heart.

Andrea Arnold had captured something volatile and splendid in Fish Tank

David Edelstein reviews "Youth in Revolt."

Movies you've heard plenty about (Avatar, Where the Wild Things Are) rub elbows with movies you may have missed (Summer Hours, Everlasting Moments) on our critic's list of the finest big-screen features of 2009. Edelstein joins Terry Gross to talk about the year in pictures.

James Cameron's trademark blend of grandiosity, jaw-dropping technology and cornball populism is back — and mightier than ever — in Avatar, a vertigo-inducing sci-fi epic that's as predictable and tin-eared as it is savvy and technically adept.

Critic David Edelstein says the Lord of the Rings director has violated Alice Sebold's celebrated novel with an adaptation marked by tawdry sentimentality and cheap mysticism.

Tobey Maguire and Jake Gyllenhaal are Sam and Tommy Cahill, one an upright Army captain on his way back to Afghanistan, the other a delinquent, newly paroled after a three-year sentence for robbery. But the real center of Jim Sheridan's movie isn't the brothers, but their whole teetering clan, which will collapse and rebuild itself in complicated new ways.