David Edelstein

This lush, good-looking crime flick doesn't really have a theme, and it never quite sparks to life. But it's got lots of incidental pleasures — Johnny Depp's spirited performance chief among them.

Filmmaker Kathryn Bigelow knows how to get under your skin and control your responses — as she does in her latest feature, the Baghdad-set war movie The Hurt Locker. David Edelstein has a review.

James Gray's new film stars Joaquin Phoenix as a Brighton Beach man with a chance at happiness with one woman, and a passion for another who'll almost certainly bring him heartache.

Filmmaker Robert Kenner explores the underbelly of America's food industry — and the health consequences of its food-supply stranglehold — in his documentary Food, Inc.

Film critic David Edelstein reviews The Taking of Pelham 123, a remake of the 1974 subway-hostage thriller starring Denzel Washington, John Travolta, and Luis Guzman.

It's a double feature from critic David Edelstein, who says Pixar's sublime new film Up reaches heavenward, while Sam Raimi's deliciously gory Drag Me to Hell crawls in the opposite direction.

He's not referred to as a Terminator anymore, but back in 1984, a sci-fi thriller made a star out of a cyborg assassin from the future. Film critic David Edelstein reviews the franchise's fourth film.

Masterpieces make their own rules — and David Edelstein says it's hard to think of a work comparable to Olivier Assayas's hauntingly beautiful film, about cultural tides and the people carried on them.

James Toback has created a new documentary about Mike Tyson, the ex-boxing world champ. Movie critic David Edelstein says that Toback's mix of old and new footage "flows seamlessly" and that the stream-of-consciousness movie is "revelatory."

Critic David Edelstein says the new newspapers-and-politicos thriller is stuck in the 1970s — but don't expect All the President's Men. This is one Beltway time bomb that never explodes.