Ed Ward

Rock historian Ed Ward profiles The Velvet Underground. Sponsored by Andy Warhol, the band was a favorite of the jet-set crowd but reviled by the hippie culture that couldn't comprehend their music. The band featured Lou Reed and violist John Cale. Their best known songs include "Waiting for the Man," "Heroin" and "Sister Ray."

Rock historian Ed Ward profiles the brief regional revival of a cappella singing in the mid-60s. Some of the groups included The Five Fashions from Stanford, Conn., The Q-Tones from Philadelphia, and the Zircons from the Bronx.

Rock historian Ed Ward profiles one of the most eccentric rock groups from the other side of the Atlantic - the Bonzo Dog Doo-Dah Band (circa late 1960s). They infused their music with a typically British brand of humor, such as that associated with Monty Python's Flying Circus.

Rock historian Ed Ward takes on the notion that old-time rock and roll had no message or meaning, that it was simply fun. This is the message that the purveyors of collections of 50s and 60s hits are conveying in ads that recall the "fun" of the era without also evoking the harsher realities.

Rock historian Ed Ward profiles the work of TK Productions, the Miami recording company that in the mid-70s brought out acts like K.C. and the Sunshine Band ("That's the Way I Like it" and "Get Down Tonight"), George McRae ("Rock Your Baby") and Betty Wright ("Where is the Love"), musicians who combined classic southern rhythm and blues with the up-tempo beat of disco.

Rock historian Ed Ward profiles Alan Freed, one of the most famous, and most notorious, disc jockeys of the 50s and 60s. Freed was one of the first disc jockeys on a mainstream station (WJW in Cleveland) to play the black rhythm and blues that was the foundation of early rock and roll.

Rock historian Ed Ward profiles The Belmonts, the singers who backed up Dion. They went on to record hit songs of their own.

Rock historian Ed Ward gets a jump on April Fool's Day by sharing what he classifies as "the worst music ever recorded."

Rock historian Ed Ward profiles the band Brinsley Schwarz. During the 70s, this band started the pub rock scene, where people put off by the glamour posturing of popular rock stars could hear rock-n-roll in informal and inexpensive surroundings.

Rock historian Ed Ward profiles Louis Jordan. Between 1930 and 1950, Jordan spearheaded the rhythm and blues sound. He was one of the very first crossover artists, appealing to both blacks and whites. Ed focuses on the Louis Jordan who pioneered rap music.