Ed Ward

Rock historian Ed Ward looks back at Elvis Presley's early recording session, which show that the singer borrowed as much from white country music as he did from the blues.

Rock historian Ed Ward looks at how record labels tried--and failed--to market second-rate bands from San Francisco's psychedelic rock scene.

Rock historian Ed Ward profiles the rise and fall of soul singer Etta James, whose heroin habit curtailed her career after a string of fantastic albums.

Rock historian Ed Ward profiles the 1960s California band, fronted by African American singer and songwriter Arthur Lee.

Sonny Burgess was known as much for his monochromatic look as he was his wild music. Ed Ward says the word to describe him is "weird" -- Burgess favored unconventional instrumentation and bizarre lyrics.

Rock historian Ed Ward profiles the 1960s rock band the Great Society, which featured singer Grace Slick before she joined the Jefferson Airplane.

Rock historian remembers the 1960s Boston band The Remains, whose music reflected the genre's growing depth and sophistication. Despite opening for the Rolling Stones and the Beatles, the group never caught on.

Rock historian Ed Ward remembers the brash and powerful blues "shouter" Wynonie Harris, whose raucous songs had a strong influence on early rock and roll.

Several bands were formed by art school students, like The Talking Heads and The Who. So were The Creation, a mostly-forgotten group who rock historian Ed Ward says deserves more recognition.

Rock historian Ed Ward considers the impact the Orioles, one of the first black doo wop groups to achieve mainstream popularity.