Ken Tucker

The band just released its third album, Modern Vampires of the City. Chief lyricist and singer Ezra Koenig has described it as the third part of a trilogy about maturing. As part of that process, the album finds sustenance invoking Desmond Dekker and The Rolling Stones.

Random Access Memories finds the French duo changing its music-making process in an effort to make its songs sound more human. To that end, Daft Punk enlists guest stars such as Pharrell Williams and Nile Rodgers.

Dawes has just released its third album, Stories Don't End. The band has cited Neil Young and Crosby, Stills & Nash among its influences, but channels them with good humor and confidence that its own distinctiveness will shine through.

On Mother, Maines' first solo record, the singer moves beyond the music that propelled her to fame as a member of the Dixie Chicks. It features an assortment of pop and rock covers, including a reworking of the Pink Floyd song that lends the album its title.

Dubbed a country singer by virtue of her Nashville base, Rose sounds more like a pop vocalist on The Stand-In. Drawing inspiration from Roy Orbison, Carlene Carter and countless others, Rose knows it takes an assured performer to sell the notion of vulnerability over the long haul.

"Accidental Racist" launched an Internet firestorm and threatened to overshadow everything else on the country singer's fine new album, Wheelhouse. Even in that polarizing song, Paisley's biggest sin is that he's well-meaning in a way that topples too easily into sentimentality.

The talented young singer-songwriter has as much in common with John Prine as she does with Kenny Chesney. With any luck, Same Trailer, Different Park is the start of a long career that will make both Musgraves' core audience and other open-minded listeners sit up and take notice.

On his first album since 2006, The 20/20 Experience, Justin Timberlake explores his range, from soul-man groove to falsetto croon, taking inspiration from neo-soul and the expansiveness of '60s and '70s rock song formats.

The twin sisters from Canada depart from their indie singer-songwriter roots with their latest album. The music on Heartthrob is often loaded with a carefully articulated sense of doubt that Tegan and Sara suggest needs to be shaken off through a triumph of the pop-music will.

The icon's new album plays like a collection of discreet singles, with each performed in a different style, genre and mood. In this way, the album isn't a return to form, in part because David Bowie never took one form to begin with.