Ken Tucker

ChesnuTT is the best sort of egomaniac: On Landing on a Hundred, he's preachy but delightful.

Critic Ken Tucker says that, like all good pop artists, Swift continues to evolve in a manner which challenges her diehard fans while inviting naysayers to give it another listen.

On Blak and Blu, you can hear the roar in Clark's blues guitar. But critic Ken Tucker says Clark remains a work in progress.

Sing the Delta is the roots-folk singer-songwriter's first album of new songs in 16 years.

The band's new Call Me Sylvia is as raucous as its debut, though it's slightly more self-conscious.

Ken Tucker says that Charmer is a song cycle about getting rid of a cynical frame of mind; about distancing yourself from people who are dragging you down.

The singer-songwriter and actor may not fit the country-music mold, but he carves out his own sound on hew new album, 3 Pears.

Critic Ken Tucker says that some songs on Tempest should less like concentrated efforts than outpourings of rambling thoughts; others are as precisely crafted as any Bob Dylan has written.

Despite its title, When I'm President isn't as political as Hunter's past couple of solo albums. Critic Ken Tucker says Hunter reachers back into rock's past while linking it firmly to the present.

The members of Shoes have cobbled together albums like stubborn craftsmen who know that their trade is at once outmoded and valuable. Ken Tucker says Ignition retains the same pop-rock rigor heard in the band's 1970s records.