Ken Tucker

If you're going to be downbeat, glum, or morose, it's best to do it the way Timothy Showalter does it.

Lana Del Rey continues a time-honored pop tradition of developing a public persona that challenges fans to decide what's real and what's not.

Two fine albums by drummer Ronald Shannon Jackson and the Decoding Society, Man Dance and its sequel Barbeque Dog, are now available again as downloads, after being out of print for ages. Fresh Air critic Kevin Whitehead says they're prime examples of the 1980s' so-called "free-funk" movement.

Parquet Courts is a Brooklyn by way of Texas band that has just released its new third record, Sunbathing Animal. The quartet has drawn comparisons to New York rock and punk acts as various as the Velvet Underground, the New York Dolls, and Sonic Youth, but rock critic Ken Tucker says this album proves Parquet Courts is an original.

Platinum continues Miranda Lambert's ongoing project to create songs about women who are complex, fun-loving, and assertive.

Songs feels like the work of an artist who's still figuring out who he is, where he wants to go, and what he wants to elaborate upon — or invent anew.

Williams is commonly considered the most important country music songwriter. Critic Ken Tucker has a review of a newly released CD of radio broadcasts and DVD of TV performances.

The achievement of Supernova is that, five albums in, LaMontagne hasn't settled into a formula or a fall-back recurring mood. Here, the singer-songwriter explores a sunny, psychedelic side.

On Nikki Nack, Merrill Garbus worries over the notion that she's just an accumulation of her influences, and she fights back wonderfully.

Largely ignored today, the rough-and-tumble quintet from Newcastle-Upon-Tyne gets reassessed in a new box set, titled The Mickie Most Years & More.