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06:56

Dwight Twilley's 'Green Blimp': Blissful, Emotive Pop.

The Dwight Twilley Band scored its biggest hit, "I'm on Fire," in 1975, and then struggled for years to achieve stardom that never arrived. Now the band's lead singer, Twilley, is back. Rock critic Ken Tucker reviews his new album Green Blimp, which also features vocals by Susan Cowsill.

Review
08:56

Hank Williams: The Working Musician, The Creative Genius.

In 1951, Williams was one of the biggest stars in country music. He was also a pitchman for Mother's Best flour and farm feed, a company that sponsored a daily 15-minute radio show. Rock critic Ken Tucker reviews Williams' performances on the show, which were just released on a 15-disc set called The Complete Mother's Best Recordings... Plus!

Review
06:44

Robert Plant: A Stark New Album, A 'Band Of Joy'

Plant's new solo album is called Band of Joy. That's the name of a group he was in back in 1967, before Led Zeppelin, with drummer John Bonham. Rock critic Ken Tucker says that if the album title suggests nostalgia for older musical styles, there's nothing musty about the results.

Review
06:40

Ricky Skaggs: A 'Mosaic' Of Modesty, Openness

Skaggs became a mainstream country music star in the 1980s, but in recent years, he's become more interested in performing in a traditional bluegrass style. Ken Tucker says the tracks on Skaggs' album Mosaic "don't just fit together -- they lock into place with a firmness."

Review
06:58

Katy Perry: A 'Teenage Dream,' An Artistic Musician

Perry has released what is commonly considered the pop hit of the summer, a song called "California Gurls." Perry has a new album, Teenage Dream, which rock critic Ken Tucker says is just one part of what he calls "the Katy Perry art project."

Review
06:06

Marty Stuart Returns To His Roots On 'Ghost Train.'

Stuart has been playing country music professionally since his early teens. From the mid-1980s to the early '90s, he had a lot of mainstream country-music success. But in recent years, Stuart has migrated toward an old-fashioned sound. Rock critic Ken Tucker reviews his latest album, Ghost Train: The Studio B Sessions.

Review
06:31

Arcade Fire: Turning An Ear Toward 'The Suburbs.'

Arcade Fire is a Montreal-based band that has, in less than a decade, grown in popularity from obscure indie favorite to mass-appeal group that can fill New York's Madison Square Garden. Critic Ken Tucker says the band's third album, The Suburbs, has the sweep and ambition of a rock opera.

Review
06:07

Fans 'Can Trust' New Los Lobos Album

Los Lobos has been active since the 1970s, and during that time the band has done everything from opening for Bob Dylan, U2 and the Grateful Dead, to recording a tribute album to Walt Disney soundtracks. Rock critic Ken Tucker says Los Lobos' new album, Tin Can Trust, stands with the group's best work.

Review
06:14

Tom Jones: 'The Lady Gaga Of Elvis Impersonators'

Jones has been a pop star since 1965, when he released his first single, "It's Not Unusual." Since that time, he's remained a star overseas, while resurfacing periodically on the American pop charts. Rock critic Ken Tucker review his latest album, a collection of gospel, blues and soul covers called Praise and Blame.

Review
05:54

Seventeen Years Later, The Blue Shadows Reach U.S.

In 1993, a Vancouver band called The Blue Shadows released its debut album, On the Floor of Heaven. The country-rock album was widely praised and sold well in Canada, but never reached the U.S. Ken Tucker Reviews the album, which has just been issued here for the first time.

Review

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