Kevin Whitehead

Jazz pianist, bandleader and composer Horace Silver died Wednesday at age 85. Fresh Air critic Kevin Whitehead says that Silver had been off the scene awhile, but his influence is as strong as ever. Hear an appreciation.

The drummer known as "Klook" was a founder of bebop — and a man endlessly open to possibilities.

In a career that ran from the 1930s into the 1980s, and included work in big bands and rock 'n' roll, the clarinetist, saxophonist and bandleader changed to reflect the times. Herman would have turned 100 on May 16.

Dutch composer, saxophonist, bass clarinetist and bandleader Willem Breuker died in Amsterdam last Friday. He was 65. Breuer led his own big band while also composing music for films, theater and classical ensembles. Jazz critic Kevin Whitehead looks back at Breuker, who he says helped shape and define modern Dutch music.

Tenor saxophonist Lester Young was born one hundred years ago on Aug. 27, 1909. Jazz critic Kevin Whitehead makes the centennial.

Owing to his superb taste and refined touch, Roy Haynes has spent six decades as a drummer of choice for jazz stars like Lester Young, Charlie Parker, Sarah Vaughan, Thelonious Monk, John Coltrane and Pat Metheny. All of them appear on A Life in Time: The Roy Haynes Story, a new anthology spread over three CDs and a DVD. It's less a showcase for aggressive drumming than a reminder of how much good and great music Haynes has contributed to as a team player between 1949 and 2006.

A Fistful of Music, a box-set of composer Ennio Morricone's music, was recently released by Rhino records. This interview originally aired on Sep. 28, 1995.

Jazz critic Kevin Whitehead looks at the work of jazz pianist and composer Thelonious Monk. This week, Monk received a special posthumous citation from the Pulitzer Prize committee for "a body of distinguished and innovative musical composition that has had a significant and enduring impact on the evolution of jazz."

Jazz critic Kevin Whitehead concludes his series Avant-Garde Made Easy with a review of the music of Misha Mengelberg.

No one in jazz was as far out and far in as tenor saxophonist Albert Ayler. Far out in terms of how he improvised. Far in, in terms of the songs he wrote to improvise on. They sounded like a jumble of bugle calls, national anthems, nursery rhymes and drinking songs. Music ran in the family. As a boy, Ayler had studied music and listened to jazz with his father, and they also played saxophone duets in church. As a memento, Albert later recorded an album of spirituals called Goin' Home.