Kevin Whitehead

All these years later, Burton's old country and rock associations leave a mark on his new quartet.

Jazz critic Kevin Whitehead reviews a seven-CD box set featuring the quartet's Atlantic years, which span 1956-64.

When Monk's band arrived late in San Francisco, it inspired a solo album recorded in 1959.

Taborn's solo album is full of wide-open spaces between notes, and very quiet dynamics.

Akinmusire would rather fit into a cohesive band and spread the solos around than put himself way out front.

The Impulse jazz label, famous for its fold-out black and orange album covers, turns 50 this year. To celebrate, the label has released a box set featuring its early releases. Jazz critic Kevin Whitehead says the set showcases the diversity and talent of the musicians Impulse recorded.

Saxophonist Tim Berne came up on New York's so-called "downtown scene" 30 years ago. That scene is known for postmodern jump-cutters like John Zorn, who'd leap from one style to another in the space of a beat. But Berne went another way; he's fascinated by gradual transitions.

Before he was famous for popularizing bossa nova with "The Girl from Ipanema" in the early 1960s, saxophonist Stan Getz recorded with small jazz groups all through the '50s. Jazz critic Kevin Whitehead says a new reissue shows Getz was one of the best a playing pretty.

Marcus Printup isn't the first trumpeter to combined the trumpet and the harp. It's long been an instrument where jazz women could make their mark. A Time for Love is a quiet and cozy album with Printup's wife, harpist Riza Hequibal, but it's never dull.

In the 1940s, Charlie Parker, nicknamed "Bird," was a prime mover behind the new style of bebop, with its refined harmonies, offbeat rhythms and abstract melodies played at breakneck speed. On Bird Songs, Joe Lovano looks for new ways into Parker's material.