Kevin Whitehead

Jazz drummers leading their own bands often feature intricate rhythms and brisk, driving momentum. Paul Motian, with his slow tempos, loose timing and tunes that go with rainy days, is so self-effacing, he's almost an anti-drummer. A little rustle of brushes and the faint boom of a bass drum may be all he'll use to nudge the music on.

Hall doesn't often hog the spotlight on his debut album, Into the Light. He doesn't need to; he plays more stuff behind other musicians than some drummers do in a solo. Hall stays busy back there, exhorting and swinging the band, playing contrary rhythms, shifting his patterns and punctuating everybody else's solos.

Out 'n' In, the latest album from Empirical, is a tribute to the late musician Eric Dolphy. The record contains six original pieces that adopt Dolphy's style and adaptations of two songs from his album Out to Lunch!

Kevin Whitehead reviews some recent jazz DVDs, featuring old and new artists, TV performances and documentaries.

With his wide leaps between long tones and a sometimes generous use of space, trumpeter Wadada Leo Smith nods occasionally to 20th-century European concert music. But he's also one of the modern improvisers most grounded in African-American vernaculars; he's the stepson of Mississippi bluesman Alex Wallace, and he played for a spell in Little Milton's blues band. Smith's projects are all over the map, but often have this much in common with the blues: the byplay between a strong voice — his horn, in this case — and percussive strings.

Two kinds of people consume Christmas music: those who actually like the stuff, and folks who need something listenable on hand in case seasonal visitors insist on some ornamental mood music. For both groups, two new jazz brass albums should do the trick. Critic Kevin Whitehead reviews.

In the last few years, some enterprising younger players have reinvented the piano-bass-drums jazz combo. It's not just that these trios play contemporary pop; it's also a shift in attitude. Vijay Iyer's trio doesn't worry about swinging all the time, although the buoyancy of swing inflicts its rhythms as much as hip-hop does.

Nicole Mitchell's Renegades matches exploratory playing with deep grooves and a tight ensemble blend. The new group is Black Earth Strings, consisting of flute, three strings and percussionist Shirazette Tinnin.

Jazz critic Kevin Whitehead reviews the latest CD by alto saxophonist Steve Lehman and his octet. In Travail, Transformation & Flow, Lehman continues his work using computer models to create and drive his improvisation.

Jazz critic Kevin Whitehead reviews a new album from the prolific composer and pianist Fred Hersch. It's called Fred Hersch Pocket Orchestra, Live at the Jazz Standard.