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Kevin Whitehead

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05:41

Ran Blake: Ghosts In The Piano

The grainy, blurry portrait of Ran Blake on the cover of his album, Driftwoods, looks like spirit photography: the pianist as ghostly presence. His playing can be spooky, too. The CD radically transforms popular vocal standards from Billie Holiday, Hank Williams, Quincy Jones and more.

Review
05:27

Green Goes Blue With 'Grant's First Stand'

Originally released in 1961, electric guitarist Grant Green's first album with Blue Note Records, Grant's First Stand, has been reissued. Green has a solid swinger's knack for skippy, airborne jazz rhythms, but some of his lines wouldn't sound out of place in a Chicago blues bar.

Review
05:49

'Tain' Watts: What's In A Name?

Jeff "Tain" Watts, an original member of the Wynton Marsalis quintet, has released an album titled Watts. But it's no ego trip; the disc is inspired, at least in part, by L.A.'s Watts neighborhood.

Review
07:46

Vintage Recordings From Anthony Braxton

Mosaic Records has re-released the work of jazz musician Anthony Braxton in an eight-CD set. The Complete Arista Recordings of Anthony Braxton features recordings from the 1970s that previously existed only on vinyl. Jazz critic Kevin Whitehead has a review.

Review
06:11

Moody And Jones' Jazz Reunion Is A 'Delight'

On their first recording together in more than 50 years, saxophonist James Moody and pianist Hank Jones show that the elder statesmen of jazz can still play beautifully. Our Delight displays the golden virtues of jazz with warmth and grace.

Review
06:59

Bebo Valdes Brings Havana To Village Vanguard

Bebo Valdes left Havana 50 years ago, but at the piano, it's as if he's still there. He's not reviving anything; he just kept on doing it the old way, long after music in Cuba had moved on. On Live at the Village Vanguard, Valdes shares billing with his frequent duo partner, bassist Javier Colina.

Review

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