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Kevin Whitehead

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05:03

William Parker Quartet's 'Petit' New Album

The third album from the William Parker Quartet is named Petit Oiseau, after a character in a poem written by Parker. Jazz critic Kevin Whitehead assesses whether the album — whose French title translates to "Little Bird" — takes flight.

Review
05:09

Meeting Vibraphone Jazz 'Head On'

Fresh Air's jazz critic takes a fresh look at the reissue of the album Head On (Blue Note/EMI), a 1971 session led and recorded by Bobby Hutcherson.

Review
07:10

'Stronger Than Itself': On The Power Of Jazz

Jazz critic Kevin Whitehead reviews A Power Stronger Than Itself: The AACM and the American Experimental Music by George E. Lewis. The book tracks the history of Association for the Advancement of Creative Musicians, an organization that promoted the development of new jazz styles.

Review
05:52

Flying High Again With 'The Hawk

Fresh Air's jazz critic has a listen to a re-issue of The Hawk Flies High, the 1957 album from tenor saxophonist Coleman Hawkins — who's often credited with legitimizing that instrument in the jazz world.

Review
05:21

Circle Wide Quintet, Playing 'Like Before'

Jazz critic Kevin Whitehead reviews Like Before, Somewhat After, the new recording from drummer George Schuller and his quintet Circle Wide. The disc salutes the music of pianist Keith Jarrett's '70s-era quartet.

Review
06:24

James Carter's Music in the Moment

Saxophonist James Carter says he titled his new album Present Tense because "it captures where I am now." The album features Victor Lewis on drums, D. D. Jackson on piano and Dwight Adams on trumpet. Jazz critic Kevin Whitehead offers a review.

Review
07:13

Boogie-Woogie and Blues: Small Can Be Sweet

Fresh Air's jazz critic reviews a new CD box set, Boogie Woogie and Blues Piano, featuring remastered recordings from such greats as Chicago's Jimmy Yancy, Meade Lux Lewis, Pete Johnson and more — all solo or in small ensembles.

Review
05:24

'Mental Weather': Moody, Variable, Promising

Celebrated soprano saxophonist Jane Ira Bloom — a pioneer, among other things, in the use of electronics in live jazz — has an inventively formatted new recording. Fresh Air's jazz critic has a listen.

Review

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