Kevin Whitehead

Jazz critic Kevin Whitehead checks out new records from the bands Curlew and Doctor Nerve, which stretch the definition of jazz with the incorporation of rock attitudes, atonality, and computer-generated music.

Jazz critic Kevin Whitehead reviews "Duke Ellington's Carnegie Hall Concerts," a new series of CD reissues that chronicle the annual performances Ellington gave during the 40s.

Jazz critic Kevin Whitehead concludes his look at some current jazz saxophone quartets, this time focusing on the ROVA Saxophone Quartet, which often collaborates with new music composers.

Jazz critic Kevin Whitehead has the first of a two part review of several current saxophone quartets, a configuration that's risen in popularity lately.

Jazz critic Kevin Whitehead reviews the new album by Finnish bandleader and drummer Edward Vesala, on the ECM label.

Jazz critic Kevin Whitehead reviews the musician's new CD, "I Let a Song Go Out of My Heart." Clay was part of the progressive jazz movement in the 50s. Whitehead says the saxophonist's playing has evolved since his days working with Don Cherry.

Jazz critic Kevin Whitehead reviews three albums that show the lasting influence of the blues in the genre that proceeded it. The artists he features are Big Joe Turner, Jay McShann, and Jeanie and Jimmy Cheatham.

Jazz critic Kevin Whitehead says, though there's a wealth of wunderkinds in the scene today, listeners shouldn't overlook more seasoned musicians. He reviews a reissue of tenor saxophonist Clifford Jordan's 1961 album, Bearcat.

Jazz critic Kevin Whitehead reviews a recent album by singer Shelly Hirsch and keyboardist David Weinstein. Their music draws from a diverse array of styles and traditions. Kevin says Hirsch is one of the most amazing singers in any genre.

Jazz critic Kevin Whitehead reviews the soundtrack from the movie "Tune in Tomorrow" composed by Wynton Marsalis and recorded by Marsalis and his band. Whitehead says it makes good use of the trumpeter's conservative, backward-looking approach.