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Kevin Whitehead

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06:58

Barbara Dennerlein's American Debut.

Jazz critic Kevin Whitehead reviews a new album by German jazz organist Barbara Dennerlein (DEN-er-line). The album, "Straight Ahead!" is her first to be released in the U.S. and Kevin says part of the reason for its success is that Dennerlein doesn't sound like other jazz organists.

Review
07:51

Father and Son Albums.

Jazz Critic Kevin Whitehead reviews the music of two tenor saxophonists, who are father and son. Von Freeman from the Chicago blues style, plays with his son, Chico Freeman, on the album "Freeman & Freeman," (on the India Navigation label). Whitehead also reviews Von Freeman's album "Walkin Tuff!" (on Chicago's "Southport" label).

Review
06:27

The High-Water Mark of Wilbur Ware's Career.

Jazz critic Kevin Whitehead reviews a reissue of a 1957 album by bassist Wilbur Ware. Kevin says that year was the highlight of Ware's career--he recorded with Sonny Rollins and Thelonius Monk as well as recording his only album as a leader.

Review
06:59

Two Jazz Musicians Return to Broadway for Inspiration.

Jazz critic Kevin Whitehead reviews the new album from pianist Dick Hyman and cornetist Ruby Braff. The pair have been playing together off and on since the mid 70s. This time they've teamed up and revived an old jazz tradition, playing tunes from Broadway. The album's called "Music from My Fair Lady," and it's on Concord Jazz.

Review
06:59

Fats Waller in the 1940s Captured on New Box Set.

Jazz critic Kevin Whitehead reviews a reissue of music by singer and pianist Fats Waller from 1940-1943, the years just before his death. Although this period is considered by many to be his least productive, Kevin says Waller was great at any time.

Review
06:58

"Fractured Fairy Tales" is the Comedy Version of "Sanctified Dreams."

Jazz critic Kevin Whitehead reviews "Fractured Fairy Tales," the new album by alto saxophonist Tim Berne and his septet. Kevin says Berne started out by putting out his own records and eventually worked his way up to a deal with Columbia. Ironically, they dropped him at the same time he was winning his largest critical acclaim.

Review

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