Kevin Whitehead

Jazz Critic Kevin Whitehead reviews the new album by electric guitarist John Scofield. Scofield has recorded with a wide variety of musicians, including Kansas City pianist Jay McShann,, trumpeters Chet Baker and Miles Davis, and Charlie Mingus, but Scofield is also comfortable playing rock.

Jazz Critic Kevin Whitehead reviews the first album by the trio New Winds, whose members have experiences in both jazz and classical music. Clarinetist J.D. Parran has played with an improviser's collective called The Black Artists Group, saxophonist Ned Rothenberg plays with a band that does covers of 60s songs, and flutist Robert Dick has played primarily with classical ensembles.

Jazz Critic KEVIN WHITEHEAD reviews the latest album by jazz drummer and big band leader Louie Bellson. Bellson, the husband of Pearl Bailey, has been drumming since three. When he was 17, he won a nationwide competition sponsored by Gene Kruppa that launched his career. He's played for Benny Goodman, Tommy Dorsey, Harry James and Duke Ellington.

Jazz Critic Kevin Whitehead reviews "Bayou Magic," a new album by clarinetist Alvin Batiste. Since the 50s, Batiste has been a key figure in the modern jazz movement in New Orleans. Under the auspices of the State Department, he has toured the world extensively, and is also a teacher at Southern University in Baton Rouge, where his students have included Branford Marsalis and Donald Harrison.

Jazz Critic Kevin Whitehead profiles the young alto saxophonist Christopher Hollyday. While still in his teens, Hollyday toured with bandleader Maynard Ferguson and headlined at New York's Village Vanguard. Hollyday plays in the style of Charlie Parker, the great bop alto saxophonist.

Jazz critic Kevin Whitehead reviews the new reissue of Ella Fitzgerald's 1961 album, "Clap Hands, Here Comes Charlie." Kevin calls the album an amiable mix of jazz and pop standards, novelty numbers and maudlin torch songs.

Jazz critic Kevin Whitehead reviews a new reissue of the late tenor saxophonist Albert Ayler. A key part of the free jazz movement of the 1960s, Ayler's sound has been likened to speaking in tongues.

Jazz Critic Kevin Whitehead reviews "Goin' Home," the second album by tuba player and composer Bob Stewart. Stewart, who stresses that the tuba is a world instrument, heard everywhere from New Orleans to Surinam, mixes genres in this album, jumping from "Sweet Georgia Brown" to Thelonius Monk's "Bemsha Swing."

Jazz Critic Kevin Whitehead continues his review of "Private Collection," the ten-volume set of Duke Ellington compositions. In this review, Kevin focuses on one of Ellington's major suites - and a highlight of the collection - "Black, Brown and Beige."

Jazz Critic Kevin Whitehead reviews volumes 6 through 10 of Duke Ellington's "Private Collection," a series featuring previously unreleased Ellington compositions. Kevin says when the first five volumes were released it was a revelation. This new collection isn't quite as brilliant, but it's still a must have for any serious Ellington fan.