Kevin Whitehead

The vocal and bass duo's 1982 album, Old Time Feeling, has just been reissued. Jazz critic Kevin Whitehead says Harvie's orchestral playing never loses sight of the bass player's foundational role, and Jordan's risk-taking singing steers her far away from lounge territory.

Jazz critic Kevin Whitehead says trumpeter Don Cherry is a curious figure in the scene: lyrical but sloppy, he's played with diverse musicians ranging from Ornette Coleman to Lou Reed. On his new album, Art Deco, Cherry reigns in some of his more exploratory impulses to produce a straight-ahead but modern sound -- and it pays off.

The wind and reed player has been self-releasing well-reviewed albums for years, even though they haven't earned him the attention he deserves. Kevin Whitehead says Golia's music is unconventional and sometimes raw. He recommends three recent releases featuring Golia's playing.

The west coast jazz trumpeter is known for his big band recordings in the 1950s. But he also made records with several smaller ensembles. Jazz critic Kevin Whitehead reviews a new box set collecting those little-heard tracks.

The saxophonist's latest album, Nightingale, features sensitive interpretations of spirituals and ballads. Jazz critic Kevin Whitehead calls it Adams' most commercial effort yet -- and that's not a bad thing.

Jazz critic Kevin Whitehead says many other critics don't know what to make of the jazz pianist's percussive, atonal playing. Cecil Taylor doesn't improvise using standard jazz changes or harmonies, yet he says his biggest influence is the blues. Whitehead reviews a reissue of Taylor's album Indent, and explains what to listen for.

Baker made a career as a trumpet player and jazz singer. Known for his struggles with his addition, Baker recently died after falling from his window; drug paraphernalia was found in his room. Bruce Weber's new documentary about the musician has just been released. Jazz critic Kevin Whitehead has this review.

Bassist Eberhad Weber's new album, on the ECM label, is airy, effects-laden, and often devoid of blues-inflected harmony. Jazz critic Kevin Whitehead says it's the kind of thing he usually hates -- but he still likes Weber's music.

Jazz critic KEVIN WHITEHEAD reviews a reissue of a MILES DAVIS album that was originally the soundtrack for Louis Malle's first feature film.

Self-professed Ellington fanatic Kevin Whitehead reviews Recollections of the Big Band Era and Piano Duets, both of which, he says, reveal why the composer and pianist was so admired by later jazz innovators like Cecil Taylor.