Kevin Whitehead

The English trio S.O.S. — saxophonists John Surman, Mike Osborne and Alan Skidmore — was formed in 1973, and made only one LP for the Ogun label a couple years later. They didn't last long, but they were the first of many horn choirs born in the '70s and '80s, mostly saxophone quartets.

On the clarinetist's latest album, the blues might be modernized or tweaked, but it's never far away. Fresh Air's jazz critic says The Edenfred Files is modest in a good way, like a musical chapbook or novella. The scale suits Harper's pointedly focused music.

Oregon saxophonist Rich Halley takes inspiration from the Wallowa mountain range on his new album Crossing the Passes. On Boss of the Plains, Chicago-based trio Wheelhouse makes music that evokes the Great Plains and wind chimes on a porch when the weather changes.

As a Japanese expatriate in Berlin, jazz pianist Aki Takase has an outsider's perspective on jazz and insder wisdom that comes from careful study. Her new album of Duke Ellington tunes reflects influences such as Thelonious Monk and Arnold Schoenberg, as well.

The 23-year-old jazz phoneme's debut album showcases her take on vintage jazz and blues numbers by Bessie Smith, Fats Waller and others.

Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.

In a career that ran from the 1930s into the 1980s, and included work in big bands and rock 'n' roll, the clarinetist, saxophonist and bandleader changed to reflect the times. Herman would have turned 100 on May 16.

Four albums of reissues and archival recordings from Crosby's own vaults are getting a high-profile release; they demonstrate that his influence on modern singing is so huge, we barely notice it anymore. He could sing anything from Latin to Hawaiian to The Great American Songbook.

Mosaic Records has released Classic Earl Hines Sessions 1928-1945. a seven-disc showcase for the jazz pianist and bandleader. Hines' right hand played lines in bright, clear octaves -- and his left hand had a mind of its own.

On his new album, The 3dom Factor, Altschul is great at mixing opposites: abstract melodic concepts with parade beats, open improvising and percolating swing. The album is the sort of comeback that reminds you how much good music the artist made the first time around.