Kevin Whitehead

Originally released in 1961, electric guitarist Grant Green's first album with Blue Note Records, Grant's First Stand, has been reissued. Green has a solid swinger's knack for skippy, airborne jazz rhythms, but some of his lines wouldn't sound out of place in a Chicago blues bar.

Jeff "Tain" Watts, an original member of the Wynton Marsalis quintet, has released an album titled Watts. But it's no ego trip; the disc is inspired, at least in part, by L.A.'s Watts neighborhood.

Jazz critic Kevin Whitehead reviews For All I Care, the new album from The Bad Plus joined by Wendy Lewis.

Mosaic Records has re-released the work of jazz musician Anthony Braxton in an eight-CD set. The Complete Arista Recordings of Anthony Braxton features recordings from the 1970s that previously existed only on vinyl. Jazz critic Kevin Whitehead has a review.

On their first recording together in more than 50 years, saxophonist James Moody and pianist Hank Jones show that the elder statesmen of jazz can still play beautifully. Our Delight displays the golden virtues of jazz with warmth and grace.

Bebo Valdes left Havana 50 years ago, but at the piano, it's as if he's still there. He's not reviving anything; he just kept on doing it the old way, long after music in Cuba had moved on. On Live at the Village Vanguard, Valdes shares billing with his frequent duo partner, bassist Javier Colina.

The third album from the William Parker Quartet is named Petit Oiseau, after a character in a poem written by Parker. Jazz critic Kevin Whitehead assesses whether the album — whose French title translates to "Little Bird" — takes flight.

Jazz critic Kevin Whitehead reviews the debut album from Richmond, Va.-based jazz nonet Fight the Big Bull.

Fresh Air's jazz critic takes a fresh look at the reissue of the album Head On (Blue Note/EMI), a 1971 session led and recorded by Bobby Hutcherson.

Jazz critic Kevin Whitehead reviews A Power Stronger Than Itself: The AACM and the American Experimental Music by George E. Lewis. The book tracks the history of Association for the Advancement of Creative Musicians, an organization that promoted the development of new jazz styles.