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Lloyd Schwartz

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06:48

Showcasing an Oboe Master

Classical music critic says a new recording of Elgar's Miniatures serve as a perfect vehicle for the elegant phrasing of oboist Leon Gooseens.

Review
06:48

A New Ensemble Establishing Its Legitimacy

Classical music critic Lloyd Schwartz has cautious admiration for the Kronos Quartet, which exclusively plays pieces from the 20th century. He says the members are excellent performers who often fail to explore the true depths of their chosen repertoire.

Review
24:39

Showcasing a Great Conductor's Skill

Classical music critic Lloyd Schwartz reviews a reissued recording of Arturo Toscanini conducting Berlioz--a composer not often associated with the maestro. Schwartz says the improved sound quality will help listeners better appreciate the performances.

Review
06:55

Updating Don Giovanni

Director Peter Sellars helmed a modernized production of Mozart's iconic opera at this year's Pepsico Summerfare. Classical music critic Lloyd Schwarz saw the performance in Purchase, NY. He says not all of the updates worked, but the individual performances reached the audience "on a profoundly emotional level."

Review
06:48

New Recordings from an Unpredictable Performer

Pianist Shura Cherkassky claims he never plays the same piece twice. Classical music critic Lloyd Schwartz says the versions of Liszt and Stravinsky pieces Cherkassky recently committed to tape are worth the listen.

Review
06:52

A Magnificent "Bach Recital"

Classical music critic Lloyd Schwartz says that John Gibbons' new record of Bach's music showcases the performer's mastery of the harpsichord.

Review
06:47

Boulez Interprets Stravinsky and Bartok

Two new CDs from the CBS Masterworks series showcase conductor Pierre Boulez's interpretations of classic works by the 20th century composers. Critic Lloyd Schwartz recommends them both.

Review
06:37

Getting Acquainted with Serialism

Classical music critic Lloyd Schwartz reviews a new recording of Arnold Schoenberg's piano and violin concertos, both conducted by Pierre Boulez. Schwartz says listening to this music at home may be the best way for audiences to get accustomed to atonality.

Review

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