Maureen Corrigan

Book critic Maureen Corrigan reviews "A Morning for Flamingos," David Lee Burke's fourth novel in a series about a Cajun detective in New Orleans.

Book critic Maureen Corrigan review Kitty Kelley's salacious Nancy Reagan: The Unauthorized Biography. Corrigan, who is no fan of the former first lady, says it's perversely entertaining.

Critic Maureen Corrigan reviews "Mary Diana Dods: A Gentleman and a Scholar" by Betty T. Bennett. Dods was a Victorian writer who advanced her literary career by posing as men named David Lyndsay and Walter Sholto Douglas.

Critic Maureen Corrigan comments on the profusion of mainstream publications which implore readers to follow a holistic lifestyle, and warn them of new, overblown health risks.

Book ritic Maureen Corrigan reviews "Signs of the Times: Deconstruction and the Fall of Paul de Man" by David Lehman. It's a cogent explanation of that literary theory, and a chronicle of the scandal surrounding one of its leading voices.

Critic Maureen Corrigan reviews a new biography of the former slave, writer, and abolitionist by Pulitzer Prize-winning author William McFeely. The book fills in the many gaps and silences in all three of Douglass's autobiographies.

Critic Maureen Corrigan reviews "Freud, Dora, and Vienna 1900," by historian Hannah S. Decker. It's an account of Sigmund Freud's work with his patient Dora -- a case which has often been viewed and critiqued through the lens of contemporary feminist scholarship.

Critic Maureen Corrigan says that Elizabeth Bowen quote best describes the collection Wave Me Goodbye, which features short stories written by women during World War II. Corrigan says, in light of the conflict in the Middle East, the collection is remains relevant to women and men alike.

Critic Maureen Corrigan comments on the latest women's fashion trend--a reboot of styles she grew up wearing. Corrigan never thought they were exciting, and wonders why they're so popular now.

Maureen Corrigan comments on high art and pop culture in her review of the High and Low show at the Museum of Modern Art in New York. The exhibit sharply divided audiences. Corrigan says she was perversely pleased with everything she saw -- including the inclusion of advertisements, graffiti, and comic books.