Maureen Corrigan

Science-fiction writer Jack Finney would have turned 100 this month. Critic Maureen Corrigan says he had a knack for tapping into our shallowly buried psychological anxieties. At its core, Finney's Invasion of the Body Snatchers is about how our loved ones inevitably change — and it is as sad as it is scary.

Russell Banks' latest is an uneven effort to excavate and redeem the dregs of modern society. Critic Maureen Corrigan says the novel — about porn addiction and sexual predators — is compelling in a low-grade, nightmarish sort of way.

Why all the adulatory attention, critics ask, for Jonathan Franzen's latest domestic drama about marriage and family? Even though Franzen gets more praise for doing what many fine female writers do "backwards and in heels," critic Maureen Corrigan says Freedom has earned its accolades.

Stephen Greenblatt chronicles the unlikely discovery of Lucretius' poem "On the Nature of Things" — by a 15th-century Italian book hunter. The Swerve is a masterfully written meditation on the fragile inheritance of ideas.

Reviewer Maureen Corrigan says Amy Waldman's debut novel might be the Sept. 11 novel — the one that finally does justice, artistically and historically, to the aftershocks of that day.

In Kevin Wilson's first novel, husband-and-wife conceptual artists stage elaborate public acts of "choreographed spontaneity" -- to the embarrassment of their children. Wilson's inventive energy makes The Family Fang a strange, wonderful and refreshing read in the summer heat.

Nik Worth is a failed musician who painstakingly documents his life and non-existent career, leaving his sister to worry about practical things like paying his rent. Dana Spiotta's new novel investigates the long-term costs of an artist's passion.

Dr. Jennifer White is a retired orthopedic surgeon diagnosed with dementia — who cannot remember whether or not she killed her friend. Alice LaPlante's debut novel is a fearless and compassionate investigation into the erosion of her main character's mind.

It all started one morning in 1949, when White discovered a beautiful web in his barn, glistening with dew. In The Story of Charlotte's Web, Michael Sims explores how White wrote his magical meditation on time, mortality and friendship — for children.

Ann Patchett's new novel lives up to its name; critic Maureen Corrigan's one-word review: "Wow." Patchett masterfully weaves her story through uncharted geographic and literary territory, all the while unraveling a story about the awful price of love and the terror of its inevitable loss.