John Powers

Fresh Air's critic at large, John Powers, says Louis C.K.'s raunchy FX show is changing the way comedy is done — for the better. "More than any TV comedy ever, it's all about capturing moments of truth and freshness," he says.

Aaron Sorkin's new HBO series follows the inner workings of a cable news show that sets out to challenge our hyperpartisan, 24/7 news culture. But critic John Powers says Sorkin has created a show that replicates much of what it thinks it's opposing.

What can explain the enduring popularity of Sherlock Holmes? Critic John Powers says it's that Sherlock "embodies an archetypal aspect of the human psyche" -- and appeals to the part of us that loves a good mystery.

Ukrainian novelist Andrey Kurkov writes short, surrealistic stories full of dark comedic surprises. His latest is The Case of the General's Thumb, but critic John Powers suggests starting with his 1996 novel, Death and the Penguin. It's a fast-paced, witty read and what Powers calls "an almost perfect novel."

The 1993 documentary The War Room, which offered a verity look behind the scenes of Bill Clinton's 1992 presidential campaign, has just been released on Criterion Blue-ray and DVD. Critic-at-large John Powers explains why the film was revelatory -- and why it could never be made today.

An absorbing new documentary by Danish director Lise Birk Pedersen charts four years in the life of Masha Drokova, who became famous as the girl who publicly kissed Vladimir Putin. Critic John Powers says it "offers a fresh glimpse into how Putin's Russia actually works."

Gerardo Naranjo's gripping film about the Mexican drug war is Mexico's submission this year for the Academy Award for Best Foreign Language Film. Critic John Powers says it deftly illuminates a society plagued with fear.

The Iranian film A Separation won the Golden Globe for Best Foreign Language Film on Sunday. Critic John Powers says the remarkable film takes viewers inside a country that is far more complicated and fascinating than news headlines indicate.

At its core, John le Carre's Tinker, Tailor, Soldier, Spy isn't really about espionage, says critic John Powers. The 1974 novel, adapted for the screen in 1979 by the BBC, is actually about secrets and lies and shifting identities -- which is to say, a metaphor for our own daily lives.

Roger Ebert tackles lowbrow and highbrow topics alike in his memoir; critic John Powers says the chronicle is sunny and hopeful — just like Ebert himself.