David Edelstein

The East is a romantic activist outlaw fantasy in which Brit Marling plays an agent who poses as a radical activist to catch an eco-terrorist group. It's one of those melodramas in which someone on the morally wrong side has a spasm of conscience and maybe crosses over. Maybe.

The Truffaut borrowings are explicit in Noah Baumbach's Frances Ha, while Richard Linklater's Before Midnight takes its cues from Eric Rohmer's gentle but expansive talkfests. In both films, conversation is a centerpiece as characters navigate relationships.

The 12th film based on Gene Roddenberry's '60s sci-fi TV show is the second to star a new group of actors as Kirk, Spock and their crew. J.J. Abrams returns as director, and Sherlock star Benedict Cumberbatch plays the memorable villain.

The movie is loud and obvious, but it's not a desecration of F. Scott Fitzgerald's 1925 masterpiece. Baz Luhrmann's interpretation of The Great Gatsby is more like a cartoony Broadway musical version of Gatsby in which no one, alas, sings.

Director and co-writer Shane Black kicks Tony Stark, played by Robert Downey Jr., out of his comfort zone — a choice that has Stark functioning as a lone gumshoe, thinking like a garage mechanic and, when necessary, straight-up MacGyvering a fix.

Jeff Nichols and Ramin Bahrani made names with small, low-budget movies: Nichols with Take Shelter and Bahrani with Man Push Cart. Both have now directed big-budget films with big stars: Nichols' Mud features Matthew McConaughey, and Bahrani's At Any Price stars Dennis Quaid and Zac Efron.

Joseph Kosinski's sci-fi adventure, starring Tom Cruise, is the most incoherent piece of storytelling since John Travolta's Battlefield Earth. It had critic David Edelstein crying, "What? What?" over the din of the explosions.

The director's latest cinematic meditation on the meaning of life stars Ben Affleck, Rachel McAdams, Olga Kurylenko and Javier Bardem and revolves around the question of how we might locate the presence of God in the everyday and how we can accommodate ourselves to our expulsion from the Garden.

P.J. Hogan's new movie is madder than madcap, a zany, nonconformist boundary-pusher whose offbeat manner makes for a rich and grounded film. Toni Collete plays the part of a modern-day Maria von Trapp as if she has nothing to lose -- and Anthony LaPaglia shows his true Aussie accent.

This macho action film starring Gerard Butler and Morgan Freeman is a vigilante fantasy about terrorists and turncoats invading the United States. It's a popular genre, but critic David Edelstein says he's tired of the American addiction to these tropes.