'Fresh Air' Remembers Writer And Middle East Scholar Fouad Ajami.

June 23, 2014

Guests: Stanley Nelson & Charles Cobb - Fouad Ajami

TERRY GROSS, HOST: This is FRESH AIR. I'm Terry Gross. This summer marks the 50th anniversary of Freedom Summer, a movement to open the polls to African-Americans in Mississippi and end the state's white supremacy. Freedom Summer was organized by SNCC, the Student Nonviolent Coordinating Committee, which recruited 700 college students - mostly white students from the North - to come down to Mississippi and help African-Americans register to vote. The organizers, the students and the black people trying to register were all risking their lives. That's how racist this state was at the time.

Just as Freedom Summer was beginning, two white participants, Mickey Schwerner and Andrew Goodman, and one African-American organizer, James Cheney, were murdered by racists. A new documentary called "Freedom Summer" will be shown tomorrow night on public TV.

I have two guests. Charles Cobb was one of the organizers of Freedom Summer. At the time, he was a field secretary for SNCC in Mississippi. He went on to become a journalist and author. He's interviewed in the film "Freedom Summer" which was directed by my other guest, Stanley Nelson. Nelson has also directed documentaries about the freedom writers, Marcus Garvey and the murder of Emmett Till.

Stanley Nelson, Charles Cobb, welcome to FRESH AIR. Charles Cobb, you were a part of Freedom Summer. What was the idea behind Freedom Summer?

CHARLES COBB: To bring the country's attention on Mississippi. We had been working in the state for two to three years pretty much full-time, meaning those of us with SNCC, the Student Nonviolent Coordinating Community, and CORE, the Congress Of Racial Equality. And we decided to bring the country's children to Mississippi.

GROSS: When you say the country's children, you mean college students.

COBB: Yeah, the country's students. We knew the people who would be coming would be mostly white, and the country would be concerned.

GROSS: Because there were white, middle-class students there the...

COBB: In danger.

GROSS: ...The press would be paying attention...

COBB: Yeah.

GROSS: ...Government officials would be paying attention...

COBB: Would be paying attention.

GROSS: 1964 is the summer of Freedom Summer in Mississippi. It's also the summer, July 2 to be precise, that Pres. Johnson signs the Civil Rights Act into law. So that begins the official desegregation of the South. Why was the emphasis, in Mississippi's Freedom Summer, on voter registration, as opposed to desegregation? I mean, this was the era of lunch counter sit-ins, of other movements to try to desegregate the South.

COBB: Most of the civil rights leadership in the South had come to the decision, even long before we even got involved in a place like Mississippi, that voter registration was the most important thing to do. In a state like Mississippi, that's primarily rural, weren't that many places to desegregate unless you're talking about a gas station bathroom. Voter registration was the consensus that existed in the black South about what was important to do, and that was taking place not just in Mississippi, but in Louisiana and other parts of the South.

GROSS: Stanley Nelson, your film points out that within SNCC, this idea of bringing down white, middle-class students from the North to help lead voter registration drives in Mississippi was actually controversial. It was controversial within SNCC. And, Charles Cobb, in fact, early on you opposed the idea of Freedom Summer...

COBB: Yes.

GROSS: ...You opposed bringing down white students from the North. What was the problem that you and some other members of SNCC had with this idea?

COBB: I think the objection or opposition to the summer project, unfortunately, has been racialized more than it should be. We were fundamentally imposed to bringing a large number of college students from the outside into Mississippi, essentially, because we felt that we have been spending the last two or three years trying to cultivate grassroots that were still very fragile and that this large number of students would essentially trample on those grassroots. They could do things more efficiently - and while that's good in one sense, it also takes possession of the movement away from the local people in another sense.

We were organizers not leaders, and our main concern was cultivating local leadership. And we were nervous about what it would mean to have 1,000 Northern college students - and we were talking around the number of 1,000 right from the beginning - come down south.

GROSS: Funny thing is, you were from the outside, too. You weren't from Mississippi. You were from Massachusetts.

COBB: Exactly. Mrs. Hamer - when I voiced objection - Mrs. Hamer, Mrs. Hamer...

GROSS: Fannie Lou Hamer, yeah...

COBB: ...Backed me up against the wall and said, well, Charlie, I'm glad you came down here. What's the problem with other people coming down here? Now, what can I say to that - well, nothing.

GROSS: So...

COBB: I said, yes, ma'am.

(LAUGHTER)

COBB: And let it go. What that meant was, obviously, that I might have objections to the summer project, but I wasn't going to fight Mrs. Hamer over this - all the people who opposed the summer project were organizers. Every single local person - and I mean every single local person we worked with - was for the summer project. And we weren't going to fight the local people. You can't organize people and say, you have a right to take control of your life, and then turn around and say, well, I don't like your decisions. So I'm not going to work with you.

GROSS: And you mentioned Fannie Lou Hamer as being the person who changed your mind. Stanley Nelson, what is Fannie Lou Hamer's importance in Mississippi's Freedom Summer?

STANLEY NELSON: Well, I mean, Fannie Lou Hamer was essential. I think one of the reasons why she was essential was, you know, she had been a sharecropper, and she was a Mississippian. And, you know, she, as Bob Moses says in the film, you know - she had Mississippi in her bones - that's who she was. And so besides, you know, being a great speaker, a great leader, a great singer, she was also one of them, you know, one of the local people. They saw one of their own. She had lived the consequences of trying to vote. You know, she goes to register to vote and is kicked off her property and loses her livelihood just for the sheer act of trying to register to vote.

GROSS: Stanley Nelson, can you talk about how SNCC recruited students from the North?

NELSON: Yeah, I think that, you know, very, very early was decided that to bring down 700 to 1,000 students, and they went about recruiting in different ways - mainly as my understanding, from college campuses. So one person in the film - a woman, you know, said she just saw a poster up on her college campus and then went to a meeting and signed up.

One of the things that we show in the film, we found this great footage of actually, you know, SNCC and CORE doing interviews. And so people had to go through an interview process because they really understood that this was going to be dangerous, and they had to get a core group of people to go down who also understood that this was going to be dangerous. You know, it's a thing somebody says in the film, they didn't want a bunch of kooks, you know, down there who were going down there to try to save the world. They wanted people who could, as best as possible, you know, understand the dangers and understand what was going to go on down there in Mississippi.

GROSS: So there were training sessions held for the students who were going to go to Mississippi. Give us a sense of what the training sessions were like. What advice did the SNCC organizers have for how to deal with danger?

COBB: Well, mainly we could show people how best to try to protect yourself from actual physical - what to do if you're attacked by a mob, how to cover your body, how to protect somebody you're with without, you know, engaging in fistfights or whipping out a pistol or something like that. We could show people how to do that. We had some experience in that because we all came out of the sit-in movement and were used to being surrounded by mobs of hostile whites.

We could also tell people how to move in communities, and of particular concern, to us was that these volunteers would move in a community in such a way as to endanger local people - like a black guy - 'cause this happened on my project - a black guy and a white girl holding hands, walking down streets of the town not only endangers them, but endangers the community itself. We could teach people how to do that.

GROSS: Or how to not do that. (Laughing).

COBB: Or how to not do that.

(LAUGHTER)

COBB: How to not do that, yes.

NELSON: Yeah, there was actually, I mean - it was so dangerous that there was actually a list of some do's and don'ts...

COBB: Yeah.

NELSON: ...That I found to be, you know, really fascinating, you know. Don't stand, you know - at night, don't stand with your back at the door of a house with the lights on, you know. Don't let people pass you on highway. Those kind of things, you know, which, for me, as a filmmaker, showed, you know, visually the danger that was there.

GROSS: If you're just joining us, we're talking about Mississippi Freedom Summer. This summer is the 50th anniversary. In 1964, SNCC, the Student Nonviolent Coordinating Committee, organized 700, mostly white students from the North to come down to Mississippi and help register black people to vote.

My guest Stanley Nelson has documented Mississippi Freedom Summer in his new film "Freedom Summer" which will be shown tomorrow night on public television. Charles Cobb, who is also with us, is one of the interviewees in the film. He was one of the field secretaries for SNCC in 1964 and one of the organizers of Freedom Summer. Let's take a short break, and then we'll talk some more. This is FRESH AIR.

(MUSIC)

GROSS: This is FRESH AIR. This summer marks the 50th anniversary of Mississippi Freedom Summer. And the idea was that SNCC, the Student Nonviolent Coordinating Committee, brought down 700 students from the North, mostly white students, to come to Mississippi and help register people to vote. And part of the idea was that these white students would help focus the attention of the nation on Mississippi and how racist it was and how violently that racism was expressed. With me is Stanley Nelson, whose new film "Freedom Summer" will be shown tomorrow night on public television. Also with us is Charles Cobb, who was a member of SNCC. He was a field secretary in 1964 and was one of the organizers of Freedom Summer. He's one of the interviewees in the film. During the training sessions, three of the people associated with Freedom Summer were murdered. Mickey Schwerner and Andrew Goodman, two white northerners, and James Cheney, who was African-American and a member of CORE, the Congress on Racial Equality. Stanley, do you want to tell the story of what happened to them, of who they were and what happened?

NELSON: Yeah. Mickey Schwerner had been in Mississippi for months before as an organizer. James Chaney was a local African-American Mississippian who was also part of CORE and an organizer. They had gone up to Oxford, Ohio to the training, and there met Andrew Goodman. A church was bombed in Mississippi and they decided, James Chaney and Mickey Schwerner, decided to go down early and to see what happened because that was in the area they were working. Andrew Goodman went with them because he was going to be working in that area. And this was, I think, a day before the rest of the group was going to go down to Mississippi. So this was really even before the actual Freedom Summer had started. And they went down, and the day after they went down there, they disappeared.

GROSS: And then eventually their bodies were discovered. And, Charles Cobb, can you tell us the effect that that had on the plans for freedom summer? I mean, before it had actually really begun, three people are murdered, just an example of the violence, the hatred and the danger that faced all of the people who had planned on going to Mississippi.

COBB: Well, you know, it affected the volunteers more than us. As soon as we heard, and we were all in Oxford, Mississippi, that Mickey and Jimmy, James Chaney and Andrew Goodman were missing, we assumed they were dead because Mickey Schwerner and James Chaney were experienced organizers. They would not have been silent for that long a period of time unless they were prevented from getting in contact. So we assumed they were dead. And the volunteers picked up on this right away. And we had conversations with them about, I mean, sadly, I mean, it was an example of what we had really been talking to the volunteers about before the three were missing - that you are going in to a murderously violent state and you have to understand that the danger affects you every day, all day long. The missing workers drove that point home because we were quite frank telling the volunteers we think they are dead. And that, for lack of a better word or phrase, sobered up those volunteers. And it also had an effect on the project because, as you might expect, it alarmed their parents. And the parents began calling the Congressmen, and began calling if they could the White House, and saying you had better make sure that our kids get out of Mississippi alive.

GROSS: So once everybody gets to the South, everybody from Freedom Summer, the white students move in to the homes of African-Americans. They're living in the black community there. It's the only safe place for them. But they're exposed to a way of life and a kind of poverty, in many cases, that they'd never seen before. And, Stanley Nelson, you interviewed a lot of the students who'd - a lot of the people who were students in 1964 and came down for Freedom Summer. Tell us little bit about what they were exposed to that opened up their eyes about what life was like for African-Americans in Mississippi, in rural Mississippi.

NELSON: Right. You know, as you said, there was no place else for them to stay. I mean, you know, there were no hotels. They couldn't stay in a hotel. They really had to stay with the African-American community and live as the African-American community lived. But I think one of the things that was so striking about the way they lived is, you know, they couldn't go back to the white community. It wasn't like, OK, we're staying at some black people's houses and, you know, now we can be white people again. You know, they were in a series of mostly small towns. Everybody knew who they were and why they were there. They were looked at in the same way as African-Americans, or worse. You know, they couldn't just pop downtown and go to a white bar for the night and do that. No, they were in constant danger, constant scorn, you know, ridicule and faced, you know, real physical dangers too. But I think also it's a psychological piece of, you know, something that's very rare for white folks in this country to experience, to be part of an African-American community and not be able to get out of it when they want to.

GROSS: Do you think that this was a revelation to some black people in Mississippi, that not all white people were racist?

COBB: Yes, I think so...

NELSON: I think for so many black in the community, as they say in the film, this was the first time they were exposed to white people who had kind of come to help them and who were not racist and who had very, very different opinions. So it was a revelation I think, to many of the black people in the community. And for some, especially for some of the younger people, it was a life-changing experience.

GROSS: So we know, we talked a little bit about how the white students were trained about what to expect, what not to do, how to defend themselves in Mississippi. At the same time, the white authorities in Mississippi, they were gearing up for Mississippi summer. What did they do?

NELSON: When the white community heard that this Freedom Summer was going to happen, I think in some ways they overreacted completely. In Jackson, Mississippi, the city bought a tank that they armed. You know, they increased the jail capacity. They were really ready for riots. And they wanted to portray it that way, as that, you know, these people were going to come down and make trouble and cause riots and really disrupt their way of life. So that's how they looked at it. Also, you know, the Ku Klux Klan, which had kind of been silent for a long time in Mississippi, starts to rise again. You know, in Mississippi there was a thing called the Citizens' Council, which somebody described as the uptown Ku Klux Klan. It was made up of businessmen and, you know, in some ways the Citizens' Council had convinced Mississippians, well, you don't really need the Klan. You know, you've got us. We've got the police. We've got all of these things in place that will hold black people back and make sure that black people don't get rights and don't get the right to vote. When Freedom Summer started, I think that then the Klan starts to take a bigger role in Mississippi than it had before.

GROSS: So, you know, one of the goals of Mississippi Freedom Summer was to register African-American people to vote. But it was hard to do. People were afraid. What were some of the things they were afraid of if they actually registered to vote?

COBB: Well, they were afraid of getting killed. They were afraid of economic reprisal or even being run out of the counties or towns. They were afraid of, if they did register, make an attempt to register to vote, they were afraid of reprisal being directed at family members, relatives, friends. So there were a range of fears around voter registration, which kept the registered numbers very, very low - even during the summer in Mississippi, which is what led to the creation of the Mississippi Freedom Democratic Party and a whole chain of events.

GROSS: Stanley Nelson and Charles Cobb will be back in the second half of the show. Nelson directed the documentary "Freedom Summer," which will be shown tomorrow night on public TV. Cobb was an organizer of Freedom Summer. Here's a recording, led by one of Freedom Summer's most famous organizers, Fannie Lou Hamer. It was recorded in Greenwood, Mississippi in 1963, one year before Freedom Summer. I'm Terry Gross and this is FRESH AIR.

(SOUNDBITE OF SONG, "I'M ON MY WAY TO FREEDOM")

FANNIE LOU HAMER: (Singing) I'm on way to freedom, yeah. I'm on that way, oh Lord, to freedom land. I'm on my way to freedom land. I'm on my way to freedom land. I'm on my way to freedom land. I'm on my way, oh Lord, to freedom land. If you don't go, don't you hinder me. If you don't go, don't hinder me. If you don't go, don't hinder me. I'm on my way, oh Lord, to freedom land. It's an uphill journey, but I'm on my way. It's an uphill journey, but I'm on my way.

(MUSIC)

GROSS: This is FRESH AIR. I'm Terry Gross. Let's get back to our interview about Freedom Summer. It was a movement 50 years ago to open the polls to African-Americans in Mississippi. Freedom Summer was organized by SNCC, the Student Nonviolent Coordinating Committee, which brought down about 700 students, mostly white students from the north, to help register African-Americans to vote. Racism was so institutionalized in Mississippi that it was dangerous for black people to register. The presence of the white students helped focus national attention on what African-Americans faced. I have two guests. Charles Cobb was one of the organizers of Freedom Summer, he's an interviewee in the new documentary Freedom Summer" that will be shown tomorrow night on public TV. Stanley Nelson directed the documentary. Freedom Summer led to the formation of the Mississippi Freedom Democratic Party, the MFDP, which I'll let Stanley Nelson explain.

NELSON: 1964 was a presidential election year and Lyndon Johnson would be nominated for the presidency in Atlantic City. So the idea of the Mississippi Freedom Democratic Party was to take an alternate delegation to the convention in Atlantic City and try to obtain the right to be seated as opposed to the regular delegation from Mississippi. The regular delegation from Mississippi was all white, there was no way an African-American person could become part of that delegation. And that was against the rules of the Democratic national convention. So the idea was we will take our own delegation - which is integrated and we'll take that and get a hearing at the Democratic national convention and be seated as the delegation from Mississippi instead of what was called the regular delegation, the all-white delegation.

GROSS: Charles Cobb did the members of SNCC who organized Mississippi Freedom summer think that the Mississippi Freedom Democratic Party would actually be seated at the Democratic convention and be allowed to replace the official Mississippi delegation? Did you see it as a more symbolic action? Or did you think, no we have a chance in the real world of politics this might actually happen?

COBB: I think most of the delegation felt they would be seated and many in SNCC and CORE felt that the delegation would be seated. Our lawyer Joe Rauh, famous Democratic Party lawyer, was encouraging on this point. If you can get the story out you will be seated. And I think the delegation would have been seated except that Lyndon Johnson pulled all of his political levers ruthlessly, to force sympathetic Democrats from the north and from the West in particular to back away from the MFDP.

NELSON: Let me add something about the Mississippi Freedom Democratic Party and the convention. The Mississippi freedom Democratic Party got what it wanted at the convention. It got its hearing at the convention and it had an incredible lineup which was televised from the convention. So Martin Luther King spoke in favor of Mississippi Democratic Party, Rita Schwerner whose husband had recently been killed spoke and Fannie Lou Hamer, who was the cleanup hitter. She was the final speaker, who spoke eloquently about what it meant to be an African-American in Mississippi and and denied her rights. And they really won the day, I mean they had won, they had swayed the convention to their side until Lyndon Johnson stepped in.

GROSS: What did President Johnson do to prevent - to try to prevent the Mississippi delegation from being seated at the convention?

COBB: He threaten people, he said, you know, you want to be a judge? Not if you support the MFDP. He used Hubert Humphrey as his hatchet man. In fact dangling the vice presidency over Hubert Humphrey's head saying, you want to be vice president? The vice presidential candidate? You help me squash this challenge by the Mississippi Democratic Party. He used the labor unions, Walter Reuther told Martin Luther King if you back the MFDP, don't look for any more money from us. To Martin Luther King's credit he never backed away from the MFDP. This is a political ruthlessness that's not unusual in American politics. You've seen with Tammany Hall politicians, you saw it with the Dick Daley political machine and you've seen it in Boston and other places. It's that kind of political ruthlessness that was brought to bear at the 1964 Democratic Party national convention, to make sure that that MFDP, Freedom Democratic Party delegation didn't get seated.

GROSS: What is your understanding of why LBJ didn't want the alternate delegation seated? He had already signed the Civil Rights Act. He worked really hard to get that passed. So what was his fear?

NELSON: Well, I think you know LBJ was a complicated man. You know, he wanted the Democratic national convention be kind of a coronation, you know, of him and for it to go very very smoothly. From all indications he was really paranoid that, you know, Bobby Kennedy had a plan and that any disruption in the convention would then allow Bobby Kennedy to enact his plan and his plan then would be to kind of seize the momentum and somehow place himself in position to get the nomination for the presidency of the United States. It's ridiculous but from multiple sources that we interviewed the film that was part of Johnson's thinking.

GROSS: So a compromise was reached. What was the compromise?

NELSON: I don't think a compromise was ever really reached and Charlie you should probably speak.....

GROSS: A compromise was proposed, I'll put it that way.

COBB: No it wasn't proposed, it was announced.

GROSS: It was announced? OK..

COBB: Bob Moses, Fannie Lou Hamer and Ed King, who was a member of the delegation, Aaron Henry, who was the head of the delegation, several other people were in conversation in Hubert Humphrey's hotel suite about a compromise. If Green, who was Congresswoman from Oregon, had put a very serious proposal on the table saying that each delegation would be asked to swear loyalty to the Democratic Party and to the presidential nominees that emerged out of the convention and delegates who swore that would be seated, both from the MFDP and the all white because the Mississippi delegation had come to Atlantic City - the Democratic Party national convention having announced their support for Barry Goldwater - precisely because that's one of the aftermath of the 1964 Civil Rights Act. What happened during this meeting was somebody knocked on the door and said turn on the television and look and there was Walter Mondale announcing a compromise. Now that compromise had not been discussed with the Mississippi Freedom Democratic Party and the compromise he announced was that the Democratic Party was prepared to seat two Mississippi Freedom Democratic Party delegates as honorary delegates and then they proceeded to name who those delegates would be - Fannie Lou Hamer and Edwin King. And they would be given some kind of special status at the convention. We'll what irritated the Mississippi Freedom Democratic Party people was that one, they persumed to name who the two delegates would be and B, that they had announced this compromise without discussion.

NELSON: Yeah, but also you have to be clear - so the Mississippi Freedom Democratic Party would be given two delegates, which - what they were called is kind of an at-large delegates and the regular delegation from Mississippi would retain its 68 delegates.

GROSS: You mentioned the fear of Southern Democrats, was that another reason do you think why LBJ was so concerned about the Mississippi alternate delegation?

COBB: Well, he was concerned - and this had been a continuing concern in his administration particularly after the signing of the 1964 Civil Rights Act that the Democratic Party was losing the southern Dixiecrat. And remember as I said the Mississippi delegation had come to the convention having already announced Democrats or not their support for Barry Goldwater a Republican...

NELSON: Who was the Republican candidate. He was a Republican candidate.

COBB: So Johnson and I understand it, you know, from a strictly political sense. I mean Johnson saw the Democratic Party losing the entire southern wing of the Democratic Party. And he was right in that, 'cause they did - the party did lose that entire so-called Dixiecrat wing.

GROSS: So the Mississippi Freedom Democratic Party - the alternate delegation refused this compromise. So no one from that alternate delegation was seated with the official Mississippi delegation. Charles Cobb looking back on 1964 and Mississippi Freedom Summer what do you think the outcomes were, what were the gains?

COBB: One important gain was the challenge of the Mississippi Freedom Democratic Party changed the national Democratic Party. It's out of this challenge that you get what are now known as the McGovern rules, which expanded the participation of women and minorities in the Democratic Party. And I think attitudes were changed in Mississippi. People saw that it was possible in a wider sense to struggle against white supremacy. And it change the attitude of those students who participated in that. Mario Savio who would shortly lead the free speech movement at Berkeley in California, was a volunteer in Mississippi, so was Barney Frank. I think it changed the attitude of these young people who came south and it's interesting to note in passing that a number of them have stayed in touch with these communities that they worked in in 1964.

GROSS: The following year, 1965, Congress passes, President Johnson signs the voting rights act. Do you see a direct connection between the passage of the voting rights act and Mississippi freedom Summer?

COBB: Yes, with Dixiecrat fleeing the Democratic Party, the obvious way to go would be to take advantage of potential - black voting potential that existed in the south. I think the Democratic Party and Lyndon Johnson specifically recognized the reality that their old world of Dixiecrat power was gone.

GROSS: So you say the Voting Rights Act as being really politic in a way, like a practical thing.

COBB: Yes, yes.

GROSS: My guests are Charles Cobb, one of the organizers of freedom summer and Stanley Nelson who directed the documentary "Freedom Summer" which will be shown tomorrow night on public TV. We'll talk more after a break. This is FRESH AIR.

(MUSIC)

GROSS: If you're just joining us, we're talking about the Mississippi Freedom Summer of 1964, which brought down about 700 students, college students, from the North into Mississippi to help organize for voter registration rights. And with me is Stanley Nelson, whose new film, "Freedom Summer" is about that movement. Also with us is Charles Cobb, one of the people interviewed in the film. He was a field secretary for SNCC, the Student Nonviolent Coordinating Committee, which organized Mississippi's Freedom Summer in 1964. What did the Voting Rights Act, which was passed in 1965, do to help African-Americans actually get the right to vote in the South?

COBB: Well, it dramatically expanded the number of voters. The place I'm tempted to point at is not Mississippi, but Lowndes County, Alabama, which had no black registered voters at the beginning of 1965. And black voters formed a majority of the voting population at the end of 1965. Something similar was unfolding, and really changed the political face, in Neshoba County, Mississippi, which we've been talking about. Philadelphia, Mississippi has a black mayor who is serving his second term now. Jackson, Mississippi, where Allen Thompson came up with Thompson's Tank to protect the white citizens of Jackson from these invaders...Jackson, Mississippi now has a black mayor. So there are still a lot of issues that have to be dealt with. But you really do have to acknowledge - or, I think, the political face of Mississippi is changed.

GROSS: What were the provisions of the Voting Rights Act that changed things?

NELSON: One of the things the Voting Rights Act did was put certain areas under federal protection. So in Mississippi, before the Voting Rights Act, less than 10 percent of African-Americans were registered to vote. A year after the Voting Rights Act, it was over 60 percent. And it's risen since then. So the Voting Rights Act very quickly changed the makeup of the electorate in Mississippi.

GROSS: Lyndon Johnson is such an interesting figure in the history of the Civil Rights Movement. And there's a moment I want to play, that you use in the film, of a conversation that he has with the then head of the FBI, J. Edgar Hoover. And this is after Rita Schwerner, who was then the widow of Mickey Schwerner, one of the three civil rights workers who were killed in Mississippi early on in Mississippi Freedom Summer - she meets with LBJ. And Stanley, what does she talk to him about?

NELSON: Well, she wants to make sure that there's a real effort to find her husband. At this point, her husband, and James Chaney and Andy Goodman are missing. And they've been missing for the whole summer. And so it's really colored everything in that summer. And she wants to make sure that the federal government is doing everything they can to find them because she knows, as everybody else knows down there, that the Mississippi - the state government is doing very, very little.

GROSS: And you point out in the film that she's very assertive in asking for this. She says, this isn't a social occasion. Here's what we need to get done.

NELSON: Rita Schwerner's an amazing figure. I mean, she - when her husband goes missing, you know, she is, in some ways, driving this search. But she's also keeping it, the focus, on Mississippi and Freedom Summer. You know, she's always saying, I don't want the story of my own suffering and what's happening to me to take over the bigger issues. You know, she constantly says, you know, people have gone missing for a hundred years in Mississippi. And my husband is one of them. I want you to try to find my husband, but I also want protection for the people who are in Mississippi now, working.

GROSS: So I want to play a phone conversation that's featured in your film, between LBJ and FBI head J Edgar Hoover, after LBJ meets with Rita Schwerner. Here's their conversation.

(SOUNDBITE OF FILM, "FREEDOM SUMMER")

PRESIDENT LYNDON B JOHNSON: I saw this Ms. Schwerner this evening.

J. EDGAR HOOVER: Yeah.

JOHNSON: The wife of the missing boy.

HOOVER: Yeah. She's a communist, you know.

JOHNSON: No, but she acted worse than that.

HOOVER: Is that so?

JOHNSON: Yeah, she was awfully mean and very ugly. And she came in this afternoon. She wants thousands of extra people put down there and said I'm the only one that has the authority to do it. But I told her I'd put all that we could efficiently handle. And I was going to let you determine how many we could efficiently handle.

GROSS: You know, I think that's very interesting 'cause the first thing that happens is LBJ, after Hoover, you know, calls the Schwerners Communist, LBJ says, no, it's even worse than that. She's rude. She's ugly. And then he says, but I told her, you know, that we'd put down as many people as we can to help out, and that you, Hoover, I'd let you decide how many people we could spare. So, Charles Cobb, how do you interpret this conversation?

COBB: Well, I think Johnson felt that if he did anything, no matter how small, the right attitude should be gratitude. So he was upset with Rita because she didn't come in here saying thank you very much for even paying attention. She said, this is what you've got to do, Lyndon Johnson. That's what he didn't like about her approach to him. And that gives you some insight, I think, into how Johnson approached a lot of things beyond race or civil rights. There's nothing in that little clip you played that surprises me.

GROSS: This summer is the 50th anniversary of Mississippi Freedom Summer. Are you both going down to Mississippi for the commemoration celebration?

NELSON: I am. I am really excited about going down there. They're going to show the whole film down in Mississippi - in Jackson, Mississippi, with an audience, which is always just an amazing thing to do. So I'm looking forward to it.

GROSS: Charles?

COBB: And I'm going - I'm going down for the rest of the month. And one interesting indication of the change that has come to Mississippi is that I'm not only going down for the 50th anniversary of the 1964 Freedom Summer, but bookstores have invited me to give lectures on my book. So it's interesting, thinking back on the 50 years. Now here I am, going to places that were really violent and horrible, like Greenwood, Mississippi. Now there's this bookstore in Greenwood, Mississippi, saying, oh, you're going to be in Mississippi this summer? Come up. Talk about the book. We're going to have a reception for you. I would never have anticipated that, walking down that same street 50 years ago.

GROSS: I want to thank you both so much for talking with us.

NELSON: Thank you so much.

COBB: Thank you.

GROSS: Charles Cobb was an organizer of Freedom Summer. Stanley Nelson directed the new documentary, "Freedom Summer," which will be shown tomorrow night on public TV. Coming up, we listen back to an excerpt of my 1988 interview with Fouad Ajami, who wrote extensively about the Middle East and the Arab world. He died Sunday. This is FRESH AIR.

TERRY GROSS, HOST: This is FRESH AIR. Fouad Ajami, who wrote extensively on Middle East and Arab history and made many appearances on TV news shows, died of cancer yesterday at the age of 68. Ajami was also a senior fellow at the Hoover Institution at Stanford University. Fouad Ajami was controversial for some of his views, including his support of the 2003 American invasion of Iraq. He advised some of the members of the Bush administration. He criticized Arab dictators, but also criticized people across the Arab world for their divisiveness. This month, he criticized Iraq's Prime Minister Nouri al-Maliki, who he called a dictator, for failing to unify the country. Ajami grew up in Lebanon. I spoke with him in 1988, 13 years after the start of Lebanon's civil war, which was still ongoing at the time. He just published an essay in a book describing how political catastrophe came to Beirut and how the city became a land of cruelty and hatred, a place of kidnappings and car bombings. I asked if he thought of this essay as a eulogy for the city where he grew up.

(SOUNDBITE OF ARCHIVED BROADCAST)

FOUAD AJAMI: I think you have the right word for it. It is in part a eulogy of the city. Here's a city that meant a great deal to - not only to the Lebanese obviously, this is their great capital city - but it also meant a great deal to the Arab world. This was a place where the Arab world met Europe, if you will. This was a place where East and West met. I mean, this is a kind of a slogan that people have about Beirut. It's a cliche, but it's very real. This is the city where I myself grew up in.

There was something there, if there is such a thing as Arab and Muslim liberalism and such a thing as the Levant, if you will, in the Arab world, this kind of meeting of East and West, this meeting of Christianity and Islam, to the extent that that world existed, it really existed in Beirut. That world is gone. So whether Beirut committed suicide, or whether Beirut was the victim of homicide, that is whether others pushed Beirut over the brinks - Israelis, Palestinians, Syrians, Iranians, whatever - whether it's a case of homicide or of suicide, a city, and a way of life, you know, have really belonged to the past. And it was time, I felt, to write of Beirut and write of Lebanon, not a political story, but a kind of eulogy that you ask about.

GROSS: Now you moved to Beirut from the countryside of Lebanon when you were around 3 or 4 years old.

AJAMI: Right.

GROSS: Why did your family want to move to Beirut?

AJAMI: Well, you see, I think in many ways the politics of Lebanon - the life of Lebanon became the life of an extended city-state. I mean, Beirut - this was the magnet. The county side of Lebanon was being emptied of any economic life. Lebanon was really a poor country. The land was a very poor land. And you saw in Lebanon what you saw in many third-world societies, the city became the great magnet. The city became a place where people could sustain a dream. And in the case of my family, they were tobacco growers. They were really impoverished gentry. A man who came to Lebanon once said about that many of the Lebanese came from royal ancestry and personal destitution. That they were all very proud of their ancestry, but it was also a very poor land.

So my family came to Beirut in the mid to late '40s. Other people were making the journey. People from the Biqa Valley, close to Syria in the East, were making the journey. People from the northern part of the country were making a journey. And at some point in time, I think maybe even more than half of the people of Lebanon lived in the capital city. Again, not so much a uniquely Lebanese phenomenon, but a widely third-world phenomenon.

GROSS: You were talking before about how there was at least the image when you were growing up in Beirut of the different Muslim groups and the different Christian groups, all communicating with each other...

AJAMI: Yes.

GROSS: ...On some level.

AJAMI: Yes.

GROSS: Now, whether that was just image or whether there really was that level of communication...

AJAMI: Right.

GROSS: ...It's all fallen apart.

AJAMI: Yes, it was...

GROSS: That communication no longer exists. What are the origins of that breakdown, do you think?

AJAMI: Well, you know, I think it was what I call a necessary fiction, a necessary lie. We needed this. We needed to tell - the Lebanese needed to tell one another, and to tell themselves, that actually Muslim and Christian could exist. And they really took two ways of looking at the Lebanese dilemma and the death of Lebanon, the collapse of Lebanon, and the anarchy of Lebanon of the last 12 to 13 years. You could say, well, why did Lebanon collapse? And maybe there is another way of putting it. A prior way of putting it, how did Lebanon come together? You see, maybe the ingredients were never there. The ingredients were never there for one country. This Republic of Lebanon was put together by the French in the aftermath of World War I. They added to Mount Lebanon, which had two communities, the Maronites and the Druze.

They added to the city of Beirut, which was essentially a Muslim Sunni city. And they added to it the Biqa Valley, which they sliced off from Syria, which was a predominately Muslim Shia, and the southern part of the country. So it was always a hodgepodge, and the country was drawn, you know, like many, many countries in Afro-Asia, the country was drawn by the colonial masters. It was drawn by the colonial masters. The dominant community in Lebanon, the Catholic Maronites, who were friends of the French, prevailed on the French in the aftermath of World War I. When the entire map for the Middle East was drawn and redrawn, they prevailed on the French to create this, what they call the (French spoken) the larger Lebanon, the bigger Lebanon, not just Mount Lebanon in the mountain, but the current borders the Lebanese state. So from the very beginning, from the very beginning, the country bore the seeds of its destruction.

There was something there that was very fragile. The communities were of vastly different temperaments and different cultures of various levels of development. So when the map of the modern Arab world was drawn after World War I, this - the entity of Lebanon, the modern entity of Lebanon was from the very beginning a quilt, an impossible quilt of communities. This war broke out in Lebanon in 1975. It's now more than 13 years old. Now, if you were 5 or 6 years old when the war broke out, you have only known war as a way of life. Lebanon has redefined the normal. Men know only war, and they are now - that's the way of life that's open to them.

GROSS: Fouad Ajami, recorded in 1988. He died of cancer yesterday at the age of 68.

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