Stockholm-born actor Alexander Skarsgård says he had to work against his natural tendencies for his latest movie, The Northman, a violent epic set about 1,000 years ago.
The Staircase details the workings of a justice system filled with pricey lawyers, ambitious district attorneys, bickering experts and appeals to a jury's cultural biases that may have nothing to do with the evidence or even the case at hand.
In their book, This Will Not Pass, NYT journalists Jonathan Martin and Alexander Burns reveal that GOP leaders, including Rep. Kevin McCarthy, privately discussed removing Trump from office.
How do we prevent the next mass shooting before it happens? That's the question Mother Jones national affairs editor Mark Follman has been researching since 2012, when a gunman killed 12 people at a movie theater in Aurora, Colo.
John Colapinto developed a vocal polyp when he began "wailing" with a rock group without proper warmup. He talks about the frailty and feats of the human voice. Originally broadcast Jan. 26, 2021.
Florida officials recently rejected a slew of math textbooks, claiming they included "prohibited topics." NYT journalist Dana Goldstein theorizes the objections related to social-emotional learning. The goal of social-emotional learning is to provide kids with a set of skills that they can draw on when they face challenges later in life, Goldstein explains. But some conservatives see it as something that opens the door to larger discussions about race, gender and sexuality.
Gaslit tells the story of Watergate, focusing on Martha Mitchell, the outspoken wife President Nixon's attorney general. The Offer focuses on the making of the first Godfather movie.
Klein was the head writer of Inside Amy Schumer and is one of the lead voices in the animated Netflix series Big Mouth. She has a new book of essays about motherhood called I'll Show Myself Out. Klein talks about how having a baby made her feel like a stranger in her own body and life. "There's just no way to comprehend how completely your old identity vanishes," Klein says.
Asher's father died in a car crash in Nigeria when she was 5. Afterward, her mom raised four children on her own in a crime-ridden London neighborhood. Asher's memoir is Where the Children Take Us.
When Yeoh first read the script for Everything Everywhere All at Once, she gave a big sigh of relief: Finally, here was a film that put a middle-aged mother in the role of action hero. She spoke with Tonya Mosley about her path from dancer to martial artist to leading lady, as well as joining the boys' club of stunt work.
Mostly set in 10th-century Iceland, The Northman tells the story of a Viking prince who sets out to avenge his father's death at the hands of his uncle — a legend that inspired Shakespeare's Hamlet.
Made before the invasion of Ukraine, and titled simply Navalny, it offers intimate, sometimes amazing access to the bravery, and human cost, of opposing a despot.
Critic Kevin Whitehead reflects on the legacy of the musician who would have been 100 on April 22, 2022. Mingus died in 1979, leaving behind a catalog of music that reflected his outsized personality.
Denk talks about what he learned from his teachers, and his failures, frustrations and pivotal moments as an artist. His new memoir is Every Good Boy Does Fine. Originally broadcast March 21, 2022.
A 91-year-old billionaire sits atop a global media empire, while his adult children vie to control the family company in the next generation.
It sounds like the plot of the HBO series Succession, but New York Times journalist Jim Rutenberg says the real-life drama involving Fox News founder Rupert Murdoch and his children, Lachlan, James, Elisabeth and Prudence, rivals anything a screenwriter could dream up.
The British singer/guitarist talks about his formative years, and about pioneering a new musical genre that blended rock with traditional music of the British isles. Thompson's new memoir is Beeswing.
The comic, actor and writer opens up about his name, his family tree and his sexual orientation in a new HBO special. "The more honest I am, the freer I am," Carmichael says.
