Jamie Foxx plays George Jefferson and Woody Harrelson is Archie Bunker in the ABC special Live in Front of a Studio Audience, which recreates individual episodes of two vintage Norman Lear shows.
Saxophonist Marsalis has been leading a quartet for the last 20 years, with only one personnel change; their new album, The Secret Between the Shadow and the Soul, shows they're still going strong.
New York Times reporter Danny Hakim discusses conflicts within the NRA's leadership, its lawsuit against its advertising and PR company, and what leaked documents reveal about the organization.
While caring for her mother, who had dementia, bioethicist Tia Powell began imagining a different way to approach the disease. Her new book looks at long-term care options and end-of-life decisions.
Joanna Hogg's movie, which centers on a young film student, is the first of a projected two-part drama drawing from Hogg's life. It won the top prize in Sundance's world cinema dramatic competition.
Book critic Maureen Corrigan reviews the new book by Pulitzer-winning reporter Tony Horwitz who has covered wars and conflicts abroad but turned his attention to the conflicts in the U.S.
The band's longest album to date is so polished you may not initially take in all the emotion roiling beneath its surface. Father of the Bride introduces new themes and a new ambition.
The new adaptation of Joseph Heller's 1961 novel presents a classic story of war and the military, at a time when it's not only advisable — but also necessary — to question authority.
When Lena Dunham's Girls appeared seven years ago, it cleared the path for a parade of smart, provocative television shows about smart, provocative young heroines.
The best of the bunch may well be Fleabag, the hilarious, raunchy and unexpectedly touching Amazon series by Phoebe Waller-Bridge, the British writer and actress who created the terrific TV adaptation of Killing Eve and was recently asked to punch up the script of the new James Bond movie.
As the cost of prescription medication soars, consumers are increasingly taking generic drugs: low-cost alternatives to brand-name medicines. Often health insurance plans require patients to switch to generics as a way of controlling costs. But journalist Katherine Eban warns that some of these medications might not be as safe, or effective, as we think.
In the second half of our two-part interview, Stern talks about his 2017 cancer scare, his thoughts on retirement and his mother's depression. His new book is Howard Stern Comes Again.
Looking back on his early career, Howard Stern remembers being "petrified" that he wasn't going to be able to make a living. "All the sexual antics, the religious antics, the race antics — everything that I talked about, every outrageous thing that I did — was to entertain my audience and grow my audience," he says. "Whether you liked it or not, or the person down the street liked it or not — I didn't care as long as I kept growing that audience."
Phoebe Waller-Bridge writes female characters who are flawed, reckless and unpredictable. "As an audience, all we ever want really is to be surprised by things," she says. The actor and writer just finished an off-Broadway run of her one-woman show Fleabag, just as the second season of the TV show is dropping on Amazon.
Writer-director Olivier Assayas has a knack for turning abstract ideas into stimulating cinema — which is exactly what he does in Non-Fiction, a modern-day talkfest centering on the Parisian elite.
Dan Pritzker's new film tells the story of Charles "Buddy" Bolden, a mythic jazz hero who burned so bright he burned himself out. Though striking and stylish, Bolden loses its grip in the final act.
The German bank was Trump's partner on countless investments at a time when most of Wall Street shied away. As a result, NY Times editor David Enrich says, it has a trove of information about Trump.
Everyone is either a fool, a knave or a monster in HBO's hilariously scabrous political satire starring Julia Louis-Dreyfus. After seven seasons, Veep ends its run with its sharp teeth fully intact.
Historian David Okrent new book The Guarded Gate is about how the junk science of eugenics and anti-immigration sentiment merged in a 1924 restrictive law that kept Jews, italians, Greeks and Eastern Europeans.
