Rock

Rock critic Ken Tucker says the pop star rails against commercialism -- despite the fact that his success depends on it. But it's the music on Big Daddy -- moreso than the lyrics -- that best coveys Mellencamp's anti-pop message.

The San Francisco-based Graham organized and promoted concerts for several important bands in the 1960s. He worked hard to create diverse lineups, and balance the needs and desires of artists and record labels. Graham closed his iconic Fillmore Theater in 1971.

Rock historian Ed Ward says that several 1950s and '60s bands associated with San Francisco actually came from nearby cities and towns. He looks at some of the over looked, truly local, drug-fueled bands of that era.

Mickey Hart says his travels around the globe with the Grateful Dead have given him the chance to meet several accomplished musicians from non-Western cultures. He's produced several recordings of their performance, many of which have been released on the Rykodisc label.

Hoffman is one of the primary composers for the unusual ensemble The Ordinaires, which features rock instrumentation along with reeds and strings. The band formed in 1982 in New York City.

There has been spate of recent albums from artists who've long been out of the public eye. Rock critic Ken Tucker reviews new efforts by Dion, Phoebe Snow, and Donny Osmond.

The blues and rock guitar player's career was put on hold when he was arrested and imprisoned for charges that may have been racially motivated. Rock historian Ed Ward reflects on some of Berry's post-prison work, which never matched his earlier success.

Pianist and singer Marcia Ball joins Fresh Air to sing two love songs.

Ken Tucker says Petty's first album without his backing band, Full Moon Fever, makes him proud to be an American -- it's a fine, mainstream rock album.

Tom Goodkind, Bruce Paskow, and Lauren Agnelli are veterans of the New York punk scene. Their new band, the Washington Squares, plays traditional folk songs with a rock edge.

Rock historian Ed Ward says the term has been mis-applied, often describing bands that record labels saw as commercially viable, rather than the kind of music they played. He says that Bob Dylan pioneered the folk-rock sound; British bands like Fairport Convention and Steeleye Span helped it evolve.

Ken Tucker returns with his latest countdown of noteworthy songs. His list features Roachford, Peter Case, Tim Finn, The Fabulous Thunderbirds, and Elvis Costello.

The queen of New Orleans soul would have been a bigger star if she had moved to New York or Los Angeles earlier in her career, argues rock historian Ed Ward. Despite her local success, Thomas only had a few national hits. But by all accounts, she's happy now, performing in regional blues circuits and raising her four children.

Ken Tucker reviews the home video release of I Wanna Hold Your Hand, about a group of teenage Beatles fans in New Jersey. The film, directed by Robert Zemeckis, was a commercial fop, but Tucker, who says it's insightful without indulging in cliches, hopes it will find a new audience on tape.

Drummer Chris Frantz and bassist Tina Weymouth are a married couple who comprise the Talking Heads' rhythm section. Despite the band's success, they found it hard to support their two children. To make ends meet, Frantz and Weymouth started a new band called Tom-Tom Club. Their new album is called Boom Boom Chi Boom Boom.

Small Faces were contemporaries of The Beatles and The Rolling Stones, but never reached the same level of fame, in part because they failed to break onto U.S. charts. Rock historian Ed Ward says it's a shame -- they broke up soon after hitting their stride in 1968 -- but the members later found success with Humble Pie and Rod Stewart.

Rock critic Ken Tucker says the music coming out of Los Angeles today has come a long way from the soft rock sound of the 1970s. But no one style dominates the city -- there's some good pop and rock, but Tucker is most excited by rap artists from Compton.

Rock historian Ed Ward says its time we give bubblegum pop another listen. In contrast to the bombastic concept albums of the 1970s that were released at the same time, these one-off songs were catchy and accessible, and helped expand rock and roll's fanbase.

Marcus is fascinated by the disruptive and enduring power of the Sex Pistols. His new book, Lipstick Traces, connects the rise of punk with Dadaism and other nihilistic art movements.

Rock critic Ken Tucker considers the recent trend of British bands taking their cues from American soul music, with varying success. Recent examples include songs by Simply Red, The Pasadenas, Boy George, and Fine Young Cannibals.