Music

Rock historian Ed Ward examines glam rock, the 70s movement that glorified glitter, fashion. The two best examples are David Bowie and T. Rex.

Jazz Critic Kevin Whitehead reviews volumes 6 through 10 of Duke Ellington's "Private Collection," a series featuring previously unreleased Ellington compositions. Kevin says when the first five volumes were released it was a revelation. This new collection isn't quite as brilliant, but it's still a must have for any serious Ellington fan.

Popular music critic Ken Tucker delves into the controversy over the rap group Public Enemy. Public Enemy's first album sold over 800,000 copies and their new song "Fight the Power," (featured in the movie "Do the Right Thing") is climbing the charts. The band however, recently fired its so-called "minister of information," Richard Griffen, for making anti-Semitic statements. In the ensuing political storm, Public Enemy has disbanded for an indefinite period of time.

Classical music critic Lloyd Schwartz reviews the latest recording of Yugoslavian pianist Dubravka Tomsic. Tomsic launched her career in America as a teenager, was a student of Arthur Rubinstein, played with the New York Philharmonic, and made her debut at Carnegie Hall before returning to Yugoslavia. Last year she was rediscovered in America on a number of critically acclaimed compact discs. On July 10 she returns to America to open the Newport Festival.

Pennebaker, who died Aug. 1, pioneered a cinéma vérité style of filmmaking in documentaries like Bob Dylan: Don't Look Back and The War Room. Originally broadcast in 1989.

Filmmaker D.A. Pennebaker. One of America's foremost documentary producers, Pennebaker has brought his cinéma verité approach to subjects ranging from Castro's Cuba, to Jimmy Carter's energy policy, to Bob Dylan's first tour of Britain. Music has been the source of much of Pennebaker's work. His films have featured the likes of Pablo Cassals, Van Cliburn, jazz singer Dave Lambert, rocker David Bowie, John Lennon and Yoko Ono.

Many contemporary musicians cite Coleman Hawkins and Lester Young as among the prime innovators of jazz sax saxophone. But historian Loren Schoenberg says we shouldn't overlook the soulful contributions of Herschel Evans, who played with Count Basie's band.

Fresh Air's rock critic combs the music charts to see which artists are making a splash internationally, but failing to find success in the United States. He features songs by Roxette, Holly Johnson, Neneh Cherry, and Queen.

The American composer was born in the 19th century, and has won nearly every major music award. At 93, he still lives in New York's Chelsea Hotel. Classical music critic Lloyd Schwartz reviews a new album of his symphonic and operatic works.

Its easy for musicians to fall out favor in the city if they don't keep up with the latest sounds. But Lee Dorsey, who started singing at 35, was never interested in following the trends. Rock historian Ed Ward has this profile.

The vocal and bass duo's 1982 album, Old Time Feeling, has just been reissued. Jazz critic Kevin Whitehead says Harvie's orchestral playing never loses sight of the bass player's foundational role, and Jordan's risk-taking singing steers her far away from lounge territory.

A live concert with songwriter and pianist Charles Brown. Brown is credited with creating an expressive style of blues that blended rough Texas blues with the soft glamour of Hollywood. Between 1946 and 1952, Brown recorded 20 hits, nine on his own, the rest as part of Johnny Moore's Blazers. He is featured in a new PBS documentary on the history of rhythm and blues.

The new Batman film has spawned two soundtrack albums -- one of Danny Elfman's orchestral score, and the latter a collection of songs written and performed by Prince. Rock critic Ken Tucker says the artist doesn't quite succeed in crafting the rock opera he strove for, but it's refreshing to hear hear him loosen up and let it all hang out.

Classical music critic Lloyd Schwartz reviews the soprano's new recital album on Nonesuch. He says the album succeeds both because of its performances and program.

The Chicago-born Williams sang for the Count Basie Orchestra before beginning a solo career in 1962. In the 1940s, he suffered a nervous breakdown, unsure of what he wanted out of his professional life. After a year in the hospital, he returned to performing, and has a new album called In Good Company.

Rock historian Ed Ward profiles the Chicago-based vocal group, founded in 1952. During their long career, they've only had two lineup changes, and continue to put out hit records.

Jazz critic Kevin Whitehead says trumpeter Don Cherry is a curious figure in the scene: lyrical but sloppy, he's played with diverse musicians ranging from Ornette Coleman to Lou Reed. On his new album, Art Deco, Cherry reigns in some of his more exploratory impulses to produce a straight-ahead but modern sound -- and it pays off.

The prolific songwriter and performer has been living in Idaho, away from the public eye. Now she returns with a new, more rocking album. King joins Fresh Air to talk about dropping out college to pursue a music career, writing songs with her former husband Gerry Goffin for other artists, and becoming a solo artist.

Coppola has written the music for several films of his son, Francis Ford Coppola, including the Godfather I and II. He has written a new score for the silent film Napoleon; he'll soon conduct a live performance of that music during a screening at Radio City Music Hall.

The former Silly Wizard fiddler isn't surprised by the international success of his music. Cunningham says that he can even here echoes of Scottish sounds in traditional American music.