Music

Rock historian Ed Ward concludes his profile of the early rhythm and blues band the 5 Royales. They were known for their raucous live shows and their prominent lead guitar lines.

New Orleans-based performer-in-residence Harry Connick, Jr. performs a few classic standards.

Nelson grew up picking cotton, and got his start as a musician playing in local Texas bars. Before finding fame as a singer, he sold songs he wrote to other performers, which later became hits. Nelson has a new memoir, called Willie, and an album of standards titled What a Wonderful World.

The Brazilian, guitar-playing brothers are in Philadelphia as part of their East Coast tour. They talk to Fresh Air guest host Marty Moss-Coane about their early music lessons and influences. The Assads' newest album, Alma Brasileira, features music exclusively by Brazilian composers.

Jazz critic Kevin Whitehead reviews a new album by Charlie Haden, Paul Motian, and Geri Allen. He says Haden's full, chordal bass playing compliments Allen's spare piano melodies. Motian's musical drumming is given equal weight.

Riley's breakthrough composition reduced melody to short, repetitive gestures, while still leaving room for improvisation. While hailed as the father of minimalist music, Riiey eschews the term. He is largely inspired by Indian raga, and performs often as an improvisor.

John Lennon's life and legacy are revisited in a new film and biography. Rock critic Ken Tucker says Albert Goldman's book The Lives of John Lennon is an inelegant hatchet job that portrays the musician in a harsh light; the film Imagine, on the other hand, is little more than treacly hagiography.

Classical music critic Lloyd Schwartz reviews a recording of Tchaikovsky's lesser-performed, but equally excellent 2nd and 3rd piano concertos.

The legendary singer started performing when he was four, and became a traveling musician as a teenager. He has a new autobiography, as a well as an album called Reunion. He joins Fresh Air to talk about his decades-long singing and songwriting career.

In the first of a two-part profile, Fresh Air's rock historian looks back at the 5 Royales. They started off as a mediocre gospel group from North Carolina before evolving into a distinctive rhythm and blues vocal ensemble signed to Apollo Records.

Landesman's name isn't well known, but her songs are, like "Ballad of the Sad Young Men" and "Spring Can Really Hang You Up the Most." She was part of the 1950s Beat scene, and now lives in London.

Newman made his mark in popular music with ironic lyrics about good old boys, petty criminals, saints and lovers. He also wrote the soundtracks for the films "The Natural" and "Ragtime." Newman's latest album, his first in five years, is titled "Land of Dreams."

Clint Eastwood's biopic Bird delves deep into the personal life and legend of Charlie Parker. Jazz critic Kevin Whitehead says the story fails to connect these often tumultuous moments with the genius of Parker's music.

Marti Jones has preferred to perform and record songs written by other artists; now, she's starting to flex her own songwriting muscles with her partner, guitarist Don Dixon. Her latest album is called Used Guitars.

The jazz piano wunderkind performs some classic swing tunes on piano.

Simon Frith is a rock critic and sociologist. He believes the genre has been emptied of its rebellious spirit, and is often sanitized or commercialized by the corporations that distribute it. Yet recent developments in rock have some benefits: its globlalization has allowed for the participation of lesser known, international artists; music videos have the untapped potential for further artistic expression.

Rock critic Ken Tucker reviews new albums by Etta James, Willie Dixon and Toots. Tucker says it's refreshing that each of these artists continues to record and perform, even after their popularity has peaked.

The tenor saxophonist's father led a big band; Jacquet later played with Count Basie's group. He says that, early on, he was able to imitate the sound of great musicians of his era, but was slow to develop his own style.

Classical music critic Lloyd Schwartz just discovered pianist Tomsic Dubravka. He places her in the same category as masters like Glenn Gould and Artur Schnabel.

Rock historian Ed Ward profiles the late guitarist, whom he knew personally. Bloomfield grew up a rich kid in Chicago, and later started one of the city's first integrated blues bands. He's notable for updating the genre by linking it to folk traditions.