Music

German conductor Wilhelm Furtwaengler is regarded as one of the greatest musicians of the 20th century, but his legacy was affected by his decision to stay in Germany during WWII. Classical music critic Lloyd Schwartz looks at how Furtwangler is seen today.

Note: Wilhelm Furtwangler's last name is typically spelled with an umlaut over the 'a' character. The npr website does not support characters with umlauts over characters. A variation of Furtwangler's name without the umlaut is spelled Furtwaengler.

Tikva Records was founded as an independent Jewish record label in 1947. For three decades, it would record everything from folk songs to klezmer pop. A new compilation honors the now-defunct label.

Douglas' three very different quintet albums sound very good together, says critic Kevin Whitehead.

Tate made a string of hits in the '60s, but then disappeared from public view for more than 30 years. In 2003, he joined record producer Jerry Ragovoy on Fresh Air for a conversation about their collaborations.

This interview was originally broadcast on October 27, 2003.

The Black Keys just released a new album called El Camino. Rock critic Ken Tucker says that, while the album retains the band's roots in blues and R&B, it's also reaching out to a wider audience with its pop and rock touches.

A new DVD set catches a rare solo Monk gig, plus sets by John Coltrane, Johnny Griffin and others.

A look back at Motian, who died last week at the age of 80, with highlights from a 2006 interview. Motian played with Bill Evans and Keith Jarrett before becoming a bandleader himself.

Owens may be best known as the smiling country singer who co-hossted Hee Haw, but he also sang original tunes. A new collection, Buck Owens: Bound for Bakersfield, goes back to the days before Owens made it big.

The psychedelic band has a complex legacy that goes beyond its big hit, "In-A-Gadda-Da-Vida," critic Milo Miles says. A newly released concert recording from 1968 provides the best chance in decades for a fresh look at Iron Butterfly.

Rowan got his start performing with the father of bluegrass, Bill Monroe. In the '70s, he formed the band Old and in the Way with Jerry Garcia. Now, he joins his group for an in-studio session and interview on Fresh Air.

O'Neal's Whirling Mantis is named for a defensive move in karate. The martial-arts reference suggests one way to look at how O'Neal's music operates: The players react to each other's moves, deflecting one another in stylized interaction.

Director David Lynch -- the man who made Blue Velvet, Twin Peaks and Eraserhead -- has released his first solo album, titled Crazy Clown Time. Rock critic Ken Tucker says it's a strange trip that ends up making a lot of sense.

Songwriter Hugh Martin co-wrote the Christmas tune that Judy Garland made famous in the 1944 classic Meet Me in St. Louis. Martin, who recently released a memoir, explains how he came up with his famous lyrics.

Colley's not from Kansas, but his music fits the wide-open flatlands, where you can see the weather coming on. Bill Frisell, Brian Blade and Ralph Alessi breathe life into the frameworks the bassist builds on Empire.

Kevin Whitehead says this Davis quintet was consistently amazing, not least on its last big tour.

Boogie-woogie was a piano style that began in the early 20th century and later became a huge fad. Rock historian Ed Ward explains how the genre re-emerged as an important precursor to rock 'n' roll.

Kevin Whitehead looks at genre-bending new albums by Pablo Aslan and Sao Paulo Underground.

Joe Henry has produced albums by Solomon Burke, Allan Toussaint, Hugh Laurie and others. The versatile singer, songwriter and producer has just released Reverie, his 12th album. It features acoustic performances from a three-day jam session in his basement.

Four the Record is Miranda Lambert's first new collection of songs after her 2009 album Revolution. Since then, Lambert has quickly become one of Nashville's most prominent stars. But rock critic Ken Tucker says Lambert is still not a typical country act.

The out-of-print and much-coveted album combines a dramatically spare sound with a heavy backbeat.