Judaism & Jewish Culture

Bessie and Boris Thomashefsky were mega-stars in the Yiddish theater world. Their story is told in a new documentary, written and conducted by heir grandson, Michael Tilson Thomas. He also serves as music director of San Francisco Symphony and artistic director of the New World Symphony.

In What We Talk About When We Talk About Anne Frank, Nathan Englander writes about his own faith — and what it means to be Jewish — in stories that explore religious tension, Israeli-American relations and the Holocaust.

The Inquisition revolutionized record-keeping and surveillance techniques that are still used today, says Cullen Murphy. His new book God's Jury draws parallels between some of the interrogation techniques used in previous centuries with the ones used today.

Shalom Auslander's Hope: A Tragedy takes on genocide, identity politics and Anne frank (now elderly and squatting in a farmhouse in upstate New York) with grim humor and daring irreverence.

Actress Kristin Scott Thomas stars in the drama Sarah's Key, about the French roundup of Jews during the Nazi occupation. "It's something the French have been extremely wary of talking about," she says. "It's been hidden away for a very, very long time."

Fresh Air remembers director Sidney Lumet — who died Saturday at age 86 — with excerpts from a 1988 interview. One of Hollywood's most prolific directors, Lumet created more than 40 films, including Network, Serpico, Fail-Safe, Dog Day Afternoon, The Wiz, The Verdict and Prince of the City.

Brazilian percussionist Cyro Baptista has played with everyone from Paul Simon to Hervie Hancock to Yo-Yo Ma. On his album Caym, Baptista and his band interpret the music of John Zorn. Music critic Milo Miles says the album "avoid the typical downfalls of eclectic world-music albums."

Jerry Bock, the composer of the score for shows like Fiddler on the Roof, Fiorello! and She Loves Me, died Nov. 3. He was 81. Fresh Air remembers the composer with highlights from a 2004 interview conducted with Bock and his writing partner, lyricist Sheldon Harnick.

Roth, who has been writing novels for more than a half-century, explains how he comes up with his ideas — and why he continues to write every day. In his latest work, Nemesis, he imagines a fictional polio outbreak set in his hometown of Newark, N.J., during the 1940s.

Writer Judith Shulevitz started observing Shabbat because of her own ambivalence about the traditional weekly day of rest. Her own experiences with the ritual -- as well as its larger historical context -- are examined in her new book, The Sabbath World: Glimpses of a Different Order of Time.

What does it mean to be Good Without God? Greg Epstein, Humanist Chaplain at Harvard University, asks this question in his new book, which explores the faith of the nonreligious. It may sound like a contradiction, but Epstein believes that human ethics are independent of belief in a supernatural power.

Set in German-occupied France, Quentin Tarantino's World War II revenge fantasia Inglourious Basterds is an ungainly pastiche — that also manages to feel organic. David Edelstein has a review.

Iranian-American author and human rights activist Roya Hakakian talks about growing up Jewish in post-revolutionary Iran.

Hans Fallada's 1947 novel, Every Man Dies Alone, presents a memorable portrait of ordinary resistance to Nazism in wartime Germany.

Critic John Powers reviews Where to and Back, a newly released DVD trilogy from the late Austrian director Axel Corti. Written by Georg Stefan Troller, the films are loosely based on Toller's life as a Viennese Jew who took refuge in the United States as a teenager and then returned to Europe as an American soldier during World War II.

Fresh Air's book critic reviews the latest novel from the author of Nine Parts of Desire.

In his memoir Foreskin's Lament, author Shalom Auslander writes about his attempt to break free from the strict, socially isolated Orthodox Jewish environment of his childhood.

Auslander is the author of the short-story collection Beware of God. He's contributed to The New Yorker, Esquire and The New York Times Magazine.