Theater

The new Fox series Touch stars Kiefer Sutherland as the father of an 11-year-old boy with some significant disabilities -- and some significant abilities as well. TV critic David Bianculli says by the end of the first episode, you'll know you're watching something a little different.

Ralph Fiennes' directorial debut adapts Shakespeare's Coriolanus, about a Roman general with his eye on political office. Critic David Edelstein says that in Fiennes' hands, the modern-day update makes for thrilling moviegoing.

Gerardo Naranjo's gripping film about the Mexican drug war is Mexico's submission this year for the Academy Award for Best Foreign Language Film. Critic John Powers says it deftly illuminates a society plagued with fear.

The Iranian film A Separation won the Golden Globe for Best Foreign Language Film on Sunday. Critic John Powers says the remarkable film takes viewers inside a country that is far more complicated and fascinating than news headlines indicate.

Two more shows to add to your 2012 list: Justified, which returns to FX Tuesday night for its third season, and Alcatraz, a new Fox drama and the latest from producer J.J. Abrams. TV critic David Bianculli explains why they're both worth watching.

Meryl Streep stars as Margaret Thatcher in Phyllida Lloyd's biopic about the former prime minister of the United Kingdom. Film critic David Edelstein applauds her performance, calling it "one of the greatest impersonations I'd ever seen."

From new offerings like House of Lies to favorites like Californication and Downton Abbey, there are a plethora of options to watch this weekend. David Bianculli runs down what's on and explains which ones are worth watching.

Martin wrote "Have Yourself a Merry Little Christmas" for Meet Me in St. Louis, along with dozens of other songs for MGM and Broadway musicals. His career is celebrated on a new CD with essays.

Burstein has played a wide range of roles, from casino owner Lolly Steinman in HBO's Boardwalk Empire, to his current role as Buddy Plummer in the Broadway revival of Follies. He talks about his lengthy career on stage, screen and television.

A young orphan stumbles on a mystery while living in a Paris train station.

Songwriter Hugh Martin co-wrote the Christmas tune that Judy Garland made famous in the 1944 classic Meet Me in St. Louis. Martin, who recently released a memoir, explains how he came up with his famous lyrics.

A father (George Clooney) struggles to reassess his past and navigate his future after his wife is gravely injured in a water-skiing accident. Critic David Edelstein says the film blends broad comedy with the sting of tragedy.

Lars von Trier's Melancholia stars Kirsten Dunst and Charlotte Gainsbourg as sisters who undergo a psychological transformation as disaster approaches. Critic David Edelstein says the film is a sublime fusion of form and content with a truly Wagnerian climax. (Recommended)

In Drake Doremus' drama Like Crazy, a young couple is forced to separate when one of them violates the terms of her student visa. Movie critic David Edelstein says the movie is painful and compelling -- and reminds him of Richard Linklater's Before Sunrise.

At its core, John le Carre's Tinker, Tailor, Soldier, Spy isn't really about espionage, says critic John Powers. The 1974 novel, adapted for the screen in 1979 by the BBC, is actually about secrets and lies and shifting identities -- which is to say, a metaphor for our own daily lives.

MacFarlane is best known for creating the animated TV shows Family Guy, American Dad! and The Cleveland Show. But he's also a singer whose new album features songs from the Great American Songbook.

Drive is what Driver does, and driven is how audiences will feel after a screening of Nicholas Winding Refn's brutally moving thriller, which stars Ryan Gosling, Carey Mulligan, Bryan Cranston and Albert Brooks. (Recommended)

Classical music critic Lloyd Schwartz just attended two productions of Porgy and Bess: an operatic performance at Tanglewood and a musical-theater version in Cambridge, Mass. He says it can work either way, "as long as Gershwin's great score remains its heart and soul."

In 1983, critic John Powers panned the Pacino film, saying it was trashy and shallow. But he recently watched the film again, and says that in retrospect, he can see how the film burned its way into the national psyche.

Raoul Ruiz's 4 1/2 hour Portuguese/French melodrama -- a puppet theater of the upper class -- won't be everybody's cup of tea. But critic David Edelstein says the film's haunting mix of distance and intimacy makes the hours fly by.