Rock

Rock historian Ed Ward profiles General Norman Johnson, and the long, convoluted path that led him to the group, the Chairmen of the Board.

PART II: Rock guitarist Eric Clapton. His friends call him "Slowhand," his fans call him "God." Whatever name he goes by, Eric Clapton is at or near the top of any list of the greatest guitar players in rock history. In the 60's Clapton started playing the blues with the Yardbirds (For Your Love) and then played with John Mayall's Bluesbreakers before forming Cream, one of the 60's most influential bands (Crossroads, White Room).

Rock guitarist Eric Clapton. His friends call him "Slowhand," his fans call him "God." Whatever name he goes by, Eric Clapton is at or near the top of any list of the greatest guitar players in rock history. Clapton started out playing blues with the Yardbirds (For Your Love) in the early 60s, then played with John Mayall's Bluesbreakers before forming Cream, one of the 60s most influential bands (Crossroads, White Room).

Rock critic Ken Tucker reviews the new album from the Mekons (pronounced MEE-kons). The Mekons formed in England at the height of the punk movement. Their musical style embraces punk, country, reggae and just about everything else. The one unifying theme in their music is politics, particularity the politics of the music industry. The new album is called "The Mekons Rock 'n' Roll."

Rock historian Ed Ward takes a look at the early days of the Yardbirds with Eric Clapton and Jimmy Page.

Rock singer, guitarist and record producer Dave Edmunds. Although he was born in Wales, his music is influenced by the American roots of rock and roll. As a producer, he's worked with the Stray Cats, The Fabulous Thunderirds, and he produced the come-back albums of the Everly Brothers and Dion. In the 1970's, he got together in London with Nick Lowe and formed the band Rockpile. Edmunds has a new album coming out soon on Capitol called "Closer to the Flame." It's his first in five years.

Rock critic Ken Tucker reviews "Journeyman," the new album from veteran rocker Eric Clapton.

Rock critic Dave Marsh. Marsh is one of rock's most influential voices. He edited the Rolling Stone Record Guide and has written profiles of Bruce Springsteen and the Who. Marsh's new book is "The Heart of Rock and Roll: The 1001 Greatest Singles Ever Made."

Bandleader, singer, songwriter, and talent scout Johnny Otis. His musical career spans the big band era, rhythm and blues, and rock and roll. In the 40's he played and traveled with the big bands, with the Ink Spots and Louis Jordan. Later, with a pared down band, he was on the forefront of the rhythm and blues. He's credited with discovering Etta James, Big Mama Thornton, Jackie Wilson and Ernestine Anderson.

Rock historian Ed Ward looks back on Roy Orbison's early career at Sun Records. Ed says that early work shows that Orbison was a more versatile performer that his big hits would indicate.

Brazilian singer/songwriter Caetano Veloso (kah-TAH-no vah-LOW-sah). He's revered as one of the primary architects of "tropicalismo," - a 1960's cultural and musical movement that reevaluated traditional Brazilian music and incorporated non-Brazilian musical styles. Leftist intellectuals denounced his music for it's use of foreign influences. In the late 1960's he was jailed and exiled from Brazil for his participation in the musical movement because the government feared the social force it might have.

Rock historian Ed Ward examines the performers that led the way for Jerry Lee Lewis. Lewis burst on the scene in the late 50s, but Ed shows that lots of other guys were pounding the keys way before the killer.

World music commentator Milo Miles explains how Peter Gabriel transformed folk music of the Middle East into the world pop sound that became the soundtrack for Scorsese's film "The Last Temptation of Christ."

Rock critic Ken Tucker reviews two new albums: "Wild Weekend" by NRBQ and "The People's Republic of Rock n Roll" by Peter Stampfel and the Bottle Caps. Ken says while they may not have much in common, both are critically-acclaimed cult groups releasing albums after a long silence.

Songwriter/musicians Chris Difford and Glenn Tilbrook. They started the rock group Squeeze in the late 70s, broke up in 1982 as the band was about to make it big, and reformed 1985. Nevertheless, the band had a series of hits in their native England and have drawn critical praise in this country. The band's new album is called "Frank."

World music commentator Milo Miles reviews David Byrne's "Brazil Classics" series and talks about the recent trend among Western rock stars to borrow rhythms and singers from the musical traditions of Africa, the Near East, and South America. He asks whether this is valuable exposure for little-known musicians or a form of exploitation.

Rock critic Ken Tucker review the new albums from Janet Jackson and Laurie Anderson. Ken says the two performers are seemingly miles apart...Jackson's the sister of Michael Jackson and her albums are huge urban contemporary hits, and Anderson's a product of the New York performance scene...but there is common ground. Both albums (Jackson's is called "Rhythm Nation 1814" and Anderson's is titled "Strange Angels") have unifying themes and draw heavily on the latest technology.

Rock historian Ed Ward looks at rock's fascination with teen death and suicide, an influence that led to hits like "Teen Angel" and "Leader of the Pack."

Rock critic Ken Tucker reviews the new albums from singers Linda Ronstadt and Kate Bush. Ronstadt's is called "Cry Like A Rainstorm, Howl Like The Wind," and Ken says it's a return to her early pop-rock sound. Bush's new work, "The Sensual World," continues what Ken calls her "lulling loopiness."

Singer Deborah Harry. She was lead singer of the group "Blondie," which started out in the late '70's as a punk band and by the early '80's was topping the charts. Since the breakup of "Blondie," Harry has gone on to a solo career and several film and TV roles, most recently in "Wiseguy." Her latest album is called, "Def, Dumb and Blonde."