Music

Songwriter Fred Koller. He's one of Nashville's top songwriters. His songs have been recorded by Loretta Lynn, Jerry Lee Lewis, Dave Edmunds and Hank Williams Jr. He has also collaborated with John Prine, John Hiatt and Pat Alger. But in his book How to Pitch and Promote Your Song, Koller guides the novice songwriter through the music business, with tips on how best to present your songs. (Interview by Sedge Thomson)

Rock historian Ed Ward profiles Bob Dylan as songwriter, focusing on Dylan's rocky transition from a folk singer into a rock and roller. The key, Ed says, was getting other people to do pop covers of Dylan's folk hits.

Jazz Critic Kevin Whitehead reviews "Bayou Magic," a new album by clarinetist Alvin Batiste. Since the 50s, Batiste has been a key figure in the modern jazz movement in New Orleans. Under the auspices of the State Department, he has toured the world extensively, and is also a teacher at Southern University in Baton Rouge, where his students have included Branford Marsalis and Donald Harrison.

Grammy Award-winning blues singer John Hammond performs two songs by blues musician Robert Johnson in Fresh Air's weekly performance segment. Hammond has performed for nearly twenty years, and in that time his style has evolved from straight-forward, rural blues to a harder-edged, urban style.

Pianist and singer Hadda Brooks. In the days following World War II, Brooks was a key figure in the West Coast jazz and blues scene. Her singing led to roles in movies and to a stint hosting a television show; she was the first black woman to earn that distinction. When her style of jazz and boogie woogie piano went into decline in the 50s, Brooks lived and performed overseas. She resumed her career in America in 1987, and was an immediate hit. She's currently appearing at Michael's Pub in New York City with singer Thelma Carpenter. (Interview by Sedge Thomson)

Rock critic Ken Tucker reviews new rap albums from LL Cool J, Kool Moe Dee, and a compilation album from Boogie Down productions.

Astronomer and science writer Timothy Ferris. His most recent book, Coming of Age in the Milky Way, is the story of how man discovered his place in the cosmos. The book was a surprise bestseller last year and was nominated for a Pulitzer Prize. Critics hailed the book as a literary and scientific breakthrough that reads both as intellectual history and an adventure story. Ferris' first book, The Red Limit, was similarly praised for creating a new style of science book that combines the force of fact and detail with the grace of fiction writing.

Classical music critic Lloyd Schwartz reviews a new release of performances of four violin concertos by Fritz Kreisler. Kreisler, an Austrian who died in 1962, was probably the most renown violinist in the world in the period between the two World Wars. The double compact-disc set, which also includes three shorter pieces, is released on the Music and Arts label.

Rock historian Ed Ward looks back at the Woodstock Festival and tries to separate the facts of the 3-day event from the warp of nostalgia twenty years later.

Jazz Critic Kevin Whitehead profiles the young alto saxophonist Christopher Hollyday. While still in his teens, Hollyday toured with bandleader Maynard Ferguson and headlined at New York's Village Vanguard. Hollyday plays in the style of Charlie Parker, the great bop alto saxophonist.

Rock critic Ken Tucker reviews "The Cinderella Theory," the new album by the master of funk, George Clinton. Clinton began his musical career when he formed The Parliaments. But it's with his densely layered rhythm lines and rap that Clinton has made his mark on music, defining the funk sound and culture. His best-known songs include "Tear the Roof Off the Sucker," "Atomic Dog" and "Think! It ain't illegal yet."

Classical music critic Lloyd Schwartz reviews a new recording of music originally written for The Ballets Russes. The five ballets featured in the recording all have music written by French composers, among them Erik Satie and François Poulenc.

The master of funk, George Clinton. He began his musical career as a teenager when he formed The Parliament. But in the early 70s, Clinton put together a second group, "Funkadelic," that became enormously influential on the pop music scene. Their 1970 album, "Osmium," set the tone for Clinton's wickedly eclectic style; songs ranged from metaphysical gospel to country and acid rock. But their big hit came with the album "Mothership Connection." In songs like "Tear the Roof Off the Sucker," "Get Up on the Downstroke" and "Think!

Rock historian Ed Ward profiles Jive Five, a soul band led by Eugene Pitt that flourished briefly in the mid-60s. Pitt was one of the few rhythm and blues artists to successfully make the transition to soul. He's best remembered for the song "What's Your Name."

Jazz critic Kevin Whitehead reviews the new reissue of Ella Fitzgerald's 1961 album, "Clap Hands, Here Comes Charlie." Kevin calls the album an amiable mix of jazz and pop standards, novelty numbers and maudlin torch songs.

Myra Lewis. In 1958, when she was only 13 years old, Myra married rock star Jerry Lee Lewis, who was also her second cousin. The public controversy over that marriage ruined Lewis' career for over a decade. In 1982, Myra Lewis wrote a memoir of her life with Jerry Lee Lewis, titled Great Balls Of Fire. That book is the basis of the new movie starring Jerry Lee Lewis and Winona Ryder.

Rock critic Ken Tucker reviews two new albums from Los Angeles groups. The first is the debut album from Mary's Danish, a band that Ken says combines the roughness of punk with a sense of melody and humor. The other is the latest solo album from Don Henley, a former member of the Eagles.

Bioacoustics researcher and field recordist Bernie Krause. Krause has a new album called "Gorillas in the Mix." It features selections from new age to dance tunes. What makes the album remarkable is that every sound on it is from nature. Krause recorded and mixed together whales, apes, insects, the sound of shifting sands, and hundreds of other natural sources. Krause was a Motown session musician in the 60s, before earning a Ph.D. in bioacoustics.

Classical Music Critic Lloyd Schwartz reviews the final three performances of the PepsiCo Summerfare Arts Festival at Purchase, New York. For ten years, the Pepsi-Cola company has underwritten an annual international arts festival that will best be remembered for its ambitious presentations of operas by Mozart and Handel that were directed by Peter Sellars. In this segment, Lloyd reviews performances of Mozart's three great Italian operas, "The Marriage of Figaro," "Don Giovanni" and "Cosi fan tutte."

Rock historian Ed Ward profiles Gene Vincent, an early rocker who, it has been said, "sounded more like Elvis than Elvis." After Elvis burst onto the scene, record companies scrambled to find Elvis look-alikes and sound-alikes. He became a bigger hit in England than America, but he's easily remembered for his hit "Be-Bop-A-Lula."